Michael Andrew Law debut First Ever A.I. Art Comic Book series
Michael Andrew Law AI Art comic book
Artist Michael Andrew Law has recently announced the release of his debut comic series titled "Slow Punk". This digital comic book story is set in a Cyberpunk style of futuristic world and marks the first comic book ever published by the artist.
"Slow Punk" is a direct tribute to 1990s point and click video games, a genre that revolutionized PC gaming in the early days of personal computing. These games were characterized by their use of clickable objects and environments, as well as their intricate storylines and puzzles.
In addition to its tribute to video games, "Slow Punk" also pays homage to Slow Cinema, a film genre that emphasizes long takes and a meditative pace. Slow cinema is often associated with arthouse cinema and is known for its exploration of existential themes and human nature.
The story of "Slow Punk" follows a protagonist wandering through this "high tech, low life" Cyberpunk style futuristic world, investigating a dark secret about the high tech city while reconnecting with their humanity. The Cyberpunk genre is known for its dystopian themes and exploration of the impact of technology on society.
One of the most innovative aspects of "Slow Punk" is that it marks the first time that artist Michael Andrew Law has incorporated an AI image generator to create art for the comic book. This cutting-edge technology allows Law to free from the limitation of the traditional-digital art medium and create unique and visually striking images that further enhance the storytelling.
"Slow Punk" will be published on the artist's social media every day, and fans are encouraged to follow along to unfold the story. With each new installment, readers will be drawn further into the world of "Slow Punk" and its intricate plot.
In an interview, Michael Andrew Law spoke about his inspiration for the series, saying, "I wanted to create a story that combined my love for video games, slow cinema and Cyberpunk. 'Slow Punk' is a story with a unique pace and visually stunning comic book that I'm excited to share with the world."
As "Slow Punk" combines multiple genres and technologies, it is likely to appeal to a wide range of readers and fans of different mediums. The innovative use of AI image generator technology is a testament to Law's commitment to pushing the boundaries of what is possible in the world of comics.
藝術家Michael Andrew Law羅卓睿宣布了他的首部漫畫系列《Slow Punk:慢漫龐克》的發行。這部數碼漫畫故事以未來主義的赛博朋克風格為背景。這也是Law的第一部漫畫作品。
《Slow Punk:慢漫龐克》是直接向1990年代的點擊式電腦遊戲致敬。這種遊戲以點擊物體和環境為特色，並且具有複雜的故事情節和謎題。除了向電子遊戲致敬外，《Slow Punk:慢漫龐克》還向慢電影 (Slow Cinema) 致敬。慢電影是一種強調超長鏡頭和沉思步調的電影類型。慢電影通常與藝術電影相關，以探索存在主義主題和人性為特點。
《Slow Punk:慢漫龐克》的故事講述了一個主角漫步在這個“高科技，低生活”的赛博朋克風格未來世界中，調查高科技城市的黑暗秘密，同時重新與人性建立聯繫。赛博朋克風格以其反烏托邦的主題和對技術對社會的影響的探索而著稱。
《Slow Punk:慢漫龐克》最具創新性的一個方面是，這是藝術家Michael Andrew Law第一次將A.I.人工智能圖像生成器應用於漫畫藝術創作中。這種運用尖端晶片的圖像生成技術使Law能夠從繪畫媒材的限制束縛之中解放出來，更有活力地專注創造出獨特而視覺上引人入勝的圖像，進一步增強了故事的講述效果。
《Slow Punk:慢漫龐克》將每天在藝術家的社交媒體上發布，鼓勵對漫畫或者赛博朋克風格的觀眾跟隨故事的發展。隨著每一個新的章節的推出，讀者將進一步深入《Slow Punk:慢漫龐克》的世界和其複雜的情節之中。
在一次訪問中，Michael Andrew Law談到了他創作這部漫畫的靈感，他說：“我一直是赛博朋克和慢電影的粉絲，我想創作一個將這兩個世界結合在一起的故事。這就是《Slow Punk:慢漫龐克》這部擁有獨特節奏而視覺上引人入勝的漫畫作品。”
由於《Slow Punk:慢漫龐克》結合了多種故事表現類型和數碼視覺技術，它可能會吸引各種不同媒介的讀者和粉絲。對AI圖像生成器技術的創新使用是Law在漫畫界不斷突破界限的見證。
"Slow Punk" is a direct tribute to 1990s point and click video games, a genre that revolutionized PC gaming in the early days of personal computing. These games were characterized by their use of clickable objects and environments, as well as their intricate storylines and puzzles.
In addition to its tribute to video games, "Slow Punk" also pays homage to Slow Cinema, a film genre that emphasizes long takes and a meditative pace. Slow cinema is often associated with arthouse cinema and is known for its exploration of existential themes and human nature.
The story of "Slow Punk" follows a protagonist wandering through this "high tech, low life" Cyberpunk style futuristic world, investigating a dark secret about the high tech city while reconnecting with their humanity. The Cyberpunk genre is known for its dystopian themes and exploration of the impact of technology on society.
One of the most innovative aspects of "Slow Punk" is that it marks the first time that artist Michael Andrew Law has incorporated an AI image generator to create art for the comic book. This cutting-edge technology allows Law to free from the limitation of the traditional-digital art medium and create unique and visually striking images that further enhance the storytelling.
"Slow Punk" will be published on the artist's social media every day, and fans are encouraged to follow along to unfold the story. With each new installment, readers will be drawn further into the world of "Slow Punk" and its intricate plot.
In an interview, Michael Andrew Law spoke about his inspiration for the series, saying, "I wanted to create a story that combined my love for video games, slow cinema and Cyberpunk. 'Slow Punk' is a story with a unique pace and visually stunning comic book that I'm excited to share with the world."
As "Slow Punk" combines multiple genres and technologies, it is likely to appeal to a wide range of readers and fans of different mediums. The innovative use of AI image generator technology is a testament to Law's commitment to pushing the boundaries of what is possible in the world of comics.
藝術家Michael Andrew Law羅卓睿宣布了他的首部漫畫系列《Slow Punk:慢漫龐克》的發行。這部數碼漫畫故事以未來主義的赛博朋克風格為背景。這也是Law的第一部漫畫作品。
《Slow Punk:慢漫龐克》是直接向1990年代的點擊式電腦遊戲致敬。這種遊戲以點擊物體和環境為特色，並且具有複雜的故事情節和謎題。除了向電子遊戲致敬外，《Slow Punk:慢漫龐克》還向慢電影 (Slow Cinema) 致敬。慢電影是一種強調超長鏡頭和沉思步調的電影類型。慢電影通常與藝術電影相關，以探索存在主義主題和人性為特點。
《Slow Punk:慢漫龐克》的故事講述了一個主角漫步在這個“高科技，低生活”的赛博朋克風格未來世界中，調查高科技城市的黑暗秘密，同時重新與人性建立聯繫。赛博朋克風格以其反烏托邦的主題和對技術對社會的影響的探索而著稱。
《Slow Punk:慢漫龐克》最具創新性的一個方面是，這是藝術家Michael Andrew Law第一次將A.I.人工智能圖像生成器應用於漫畫藝術創作中。這種運用尖端晶片的圖像生成技術使Law能夠從繪畫媒材的限制束縛之中解放出來，更有活力地專注創造出獨特而視覺上引人入勝的圖像，進一步增強了故事的講述效果。
《Slow Punk:慢漫龐克》將每天在藝術家的社交媒體上發布，鼓勵對漫畫或者赛博朋克風格的觀眾跟隨故事的發展。隨著每一個新的章節的推出，讀者將進一步深入《Slow Punk:慢漫龐克》的世界和其複雜的情節之中。
在一次訪問中，Michael Andrew Law談到了他創作這部漫畫的靈感，他說：“我一直是赛博朋克和慢電影的粉絲，我想創作一個將這兩個世界結合在一起的故事。這就是《Slow Punk:慢漫龐克》這部擁有獨特節奏而視覺上引人入勝的漫畫作品。”
由於《Slow Punk:慢漫龐克》結合了多種故事表現類型和數碼視覺技術，它可能會吸引各種不同媒介的讀者和粉絲。對AI圖像生成器技術的創新使用是Law在漫畫界不斷突破界限的見證。
Exquisite Taste and Rich: The artwork of collaboration and symbol
Solo Exhibition of Michael Andrew Law at Art Supermarket Gallery
Exhibition at Art Supermarket Gallery Thursday, 6th October until November.
Opening Reception: Thursday, 6 Oct, 6 pm - 9 pm
Venue: Art Supermarket 1/F, Asiarich Court, 5 Staunton Street, Soho, Hong Kong.
Contemporary is the generation of comments and reviews on the past, thus contemporary art is the best tool and platform. Michael Andrew Law (Born. Law Cheuk-Yui), one of the most original and passionate artists in Hong Kong, with his vibrant and recognisable paintings with the juxtaposition of their visual elements of popular culture are now exhibited in Art Supermarket. For Law, painting is a medium that works as a commentary on contemporary culture. Combining Pop Art, Surrealism and Abstract Expressionism, Law uses a humorous way to connect popular culture from low art to high art, commercial art to fine art, and past to present.
The paintings contain various cultural icons and symbolic value in historical art history — Leonardo da Vinci’s Mona Lisa, Johannes Vermeer’s Girl with a Pearl Earring, Sandro Botticelli’s The Birth of Venus, David of Michelangelo, and Katsushika Hokusai’s The Great Wave off Kanagawa, as well as popular icons in contemporary art history such as Jeff Koons’s balloon dog, KAWS, Andy Warhol’s Campbell soup, Yayoi Kusama’s pumpkins and Banksy’s Girl with Balloon, along with Hollywood stars and celebrities such as Marilyn Monroe, Audrey Hepburn and Hedy Lamarr. Law also incorporates everyday objects like advertising images of global brands such as McDonald's and Coca-Cola, famous food, comics, cartoon characters such as Mr Monopoly, Scrooge McDuck, Snoopy and Mickey Mouse, as well as expenditure trends including luxury brands, and reinterpreted NFT by hand paint the famous NFT art, and Millennials' culture such as taking selfies.
Law delicates to explore the symbols of Exquisite Taste and the Rich in our society through these visual elements, by creating a dialogue over the definition of Exquisite Taste in nowadays culture, also the visual elements representing Exquisite Taste and high class, and income and value through modern expression, etc. Whilst some might take the same symbols as meaningless, banal and superficial at the same instant. Besides paying homage to Lichtenstein's Ben-Day dots, Law uses seemingly unrelated images using cinematic techniques like montage and superimposition to create a harmonious, semi-abstract and yet playful scenery.
They are painted utilizing classical painting trained techniques and glazing techniques, and next to those are bright graffiti words. Law’s colourful dynamic line strokes created energy and motion effects for viewers, as well as used paint splatter to enrich images texture, presenting a certain level of art paint techniques. Law studied classical painting theories and techniques with Italian American classical painter Dan Anderson. His paintings are expressions of contrasts, of opposites that attract whether in symbology or artistic language. The reinterpretation of familiar Western Pop Art iconography, which is rendered through the mastery of classical painting makes Law a powerful contemporary storyteller.
This October, Law’s work will be installed at Jao Tsung-I Academy Museum. The exhibition is a series of paintings part of Law’s Art History Dialogues body of works.
Solo Exhibition of Michael Andrew Law at Art Supermarket Gallery
Exhibition at Art Supermarket Gallery Thursday, 6th October until November.
Opening Reception: Thursday, 6 Oct, 6 pm - 9 pm
Venue: Art Supermarket 1/F, Asiarich Court, 5 Staunton Street, Soho, Hong Kong.
Contemporary is the generation of comments and reviews on the past, thus contemporary art is the best tool and platform. Michael Andrew Law (Born. Law Cheuk-Yui), one of the most original and passionate artists in Hong Kong, with his vibrant and recognisable paintings with the juxtaposition of their visual elements of popular culture are now exhibited in Art Supermarket. For Law, painting is a medium that works as a commentary on contemporary culture. Combining Pop Art, Surrealism and Abstract Expressionism, Law uses a humorous way to connect popular culture from low art to high art, commercial art to fine art, and past to present.
The paintings contain various cultural icons and symbolic value in historical art history — Leonardo da Vinci’s Mona Lisa, Johannes Vermeer’s Girl with a Pearl Earring, Sandro Botticelli’s The Birth of Venus, David of Michelangelo, and Katsushika Hokusai’s The Great Wave off Kanagawa, as well as popular icons in contemporary art history such as Jeff Koons’s balloon dog, KAWS, Andy Warhol’s Campbell soup, Yayoi Kusama’s pumpkins and Banksy’s Girl with Balloon, along with Hollywood stars and celebrities such as Marilyn Monroe, Audrey Hepburn and Hedy Lamarr. Law also incorporates everyday objects like advertising images of global brands such as McDonald's and Coca-Cola, famous food, comics, cartoon characters such as Mr Monopoly, Scrooge McDuck, Snoopy and Mickey Mouse, as well as expenditure trends including luxury brands, and reinterpreted NFT by hand paint the famous NFT art, and Millennials' culture such as taking selfies.
Law delicates to explore the symbols of Exquisite Taste and the Rich in our society through these visual elements, by creating a dialogue over the definition of Exquisite Taste in nowadays culture, also the visual elements representing Exquisite Taste and high class, and income and value through modern expression, etc. Whilst some might take the same symbols as meaningless, banal and superficial at the same instant. Besides paying homage to Lichtenstein's Ben-Day dots, Law uses seemingly unrelated images using cinematic techniques like montage and superimposition to create a harmonious, semi-abstract and yet playful scenery.
They are painted utilizing classical painting trained techniques and glazing techniques, and next to those are bright graffiti words. Law’s colourful dynamic line strokes created energy and motion effects for viewers, as well as used paint splatter to enrich images texture, presenting a certain level of art paint techniques. Law studied classical painting theories and techniques with Italian American classical painter Dan Anderson. His paintings are expressions of contrasts, of opposites that attract whether in symbology or artistic language. The reinterpretation of familiar Western Pop Art iconography, which is rendered through the mastery of classical painting makes Law a powerful contemporary storyteller.
This October, Law’s work will be installed at Jao Tsung-I Academy Museum. The exhibition is a series of paintings part of Law’s Art History Dialogues body of works.
Michael Andrew Law showing at Jao Tsung-I Academy Museum
The end of September to early October, couple of Michael Andrew Law’s ”If Julian Schnabel goes Pop” series artwork will go on showing at Jao Tsung-I Academy Museum, sponsored by Gloria Leung from ExcelNet and HIYA.
Exhibition Details :
Date : September 30 to October 3, 2022 (Friday to Monday)
Time : 10:30am - 6:00pm
Venue : Exhibition Hall, Lower Level, Block F, Jao Tsung-I Academy Museum, 800 Castle Peak Road, Mei
Foo, Kowloon
Fee: Free admission
for enquiries, please email or call to: info@hkiyas.com tel: 9062 1702
Le Déjeuner sur l'herbe by Michael Andrew Law from his best-selling large art series ‘What If Julian Schnabel goes Pop Series’, shows the artist's fondness for the master painter Julian Schnabel. To create a dialogue with art history through referencing a lot of art history elements, glitter is represented by pigment powder, and the text could represent a rather modern expression. Le Déjeuner sur l'herbe (The Luncheon on the Grass) is an oil on canvas painting by Édouard Manet created in 1862.
Michael Andrew Law’s The Birth of Venus Contemporary Pop Paintings series is based on the visual of broken mirrors which resembles reflective images from shattered glass combined with colorful tangrams with the goal in the artist's mind to explore pop culture images from the pieces of a tangram. This painting referencing the famous Italian painting “The Birth of Venus (Nascita di Venere)” is a painting by the Italian artist Sandro Botticelli, probably made in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art). The painting is in the Uffizi Gallery in Florence, Italy.
The end of September to early October, couple of Michael Andrew Law’s ”If Julian Schnabel goes Pop” series artwork will go on showing at Jao Tsung-I Academy Museum, sponsored by Gloria Leung from ExcelNet and HIYA.
Exhibition Details :
Date : September 30 to October 3, 2022 (Friday to Monday)
Time : 10:30am - 6:00pm
Venue : Exhibition Hall, Lower Level, Block F, Jao Tsung-I Academy Museum, 800 Castle Peak Road, Mei
Foo, Kowloon
Fee: Free admission
for enquiries, please email or call to: info@hkiyas.com tel: 9062 1702
Le Déjeuner sur l'herbe by Michael Andrew Law from his best-selling large art series ‘What If Julian Schnabel goes Pop Series’, shows the artist's fondness for the master painter Julian Schnabel. To create a dialogue with art history through referencing a lot of art history elements, glitter is represented by pigment powder, and the text could represent a rather modern expression. Le Déjeuner sur l'herbe (The Luncheon on the Grass) is an oil on canvas painting by Édouard Manet created in 1862.
Michael Andrew Law’s The Birth of Venus Contemporary Pop Paintings series is based on the visual of broken mirrors which resembles reflective images from shattered glass combined with colorful tangrams with the goal in the artist's mind to explore pop culture images from the pieces of a tangram. This painting referencing the famous Italian painting “The Birth of Venus (Nascita di Venere)” is a painting by the Italian artist Sandro Botticelli, probably made in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art). The painting is in the Uffizi Gallery in Florence, Italy.
GALLERY MICHAEL ANDREW LAW
Ghostbusters One Picture Show
" 捉鬼敢死隊 "畫展
Ghostbusters epic painting exhibition to celebrate its 37 anniversary
Gallery Michael Andrew Law is pleased to present “Ghostbusters, In the Artist’s Eyes”, a solo exhibition to celebrate 37 years of genesis of Ghostbusters by Michael Andrew Law.
Ghostbusters, a franchise owned by Ghost Corps from Columbia Pictures, has been one of Michael Andrew Law's most favourite movies in his childhood. He will exhibit his new creation of a mural-size oil painting, as a pop art narration of the original Ghostbusters story.
In this exhibition, the artist explores forms of both commercial art and fine art, through a unique combination with the concept of contemporary pop, photo paintings and conceptualization of collage art.
He first designed and assembled all visual elements that fit the storytelling, and then rendered his subjects in a photo-painting manner, each figure is then enveloped within a colorful swell of shapes, color and form, such ensemble interventions are accomplished through the artist’s methodical process of hyperrealistic mark-making.
Utilizing a wide range of materials, his mixed media approach creates a hypnotic tension between the familiar and the fantastical.
Using acrylic and acrylic paint markers as the solid foundation upon which Michael Anderw Law’s portraits and figures manifest, thin layers of oil paint then layered upon the main subject in a more intuitive manner.
These saturated patterns move around the figure, further highlighting various gestures or the occasional curious glance peering out from behind the colorful structures.
Michael Andrew Law, currently signed to Parisian Gallery Singulart, is one of the top best sellers at Singulart. He is also one of Hong Kong's highest paid painters.
In conjunction with the show The Artist will put the entire the Making of progress of this epic large art on his Instagram feeds @michaelandrewlawartist
The exhibition will be held at Gallery Michael Andrew Law in Hong Kong, from 11 November 2021 to 27 February 2022
Due to the current restrictions concerning the CORONA-virus, this open invitation studio exhibition event is limited to private viewing by appointment only, One additional guest is allowed with each reservation, 30-minute appointment for 1 party of up to 2 people, email us to reserve your spot. Attention! Strictly NO WALK-INS allowed.
Michelle Yu (Gallery Director)
Studio Michael Andrew Law
+852 6444 7550
info@michaelandrewlaw.com
Gallery Michael Andrew Law is pleased to present “Ghostbusters, In the Artist’s Eyes”, a solo exhibition to celebrate 37 years of genesis of Ghostbusters by Michael Andrew Law.
Ghostbusters, a franchise owned by Ghost Corps from Columbia Pictures, has been one of Michael Andrew Law's most favourite movies in his childhood. He will exhibit his new creation of a mural-size oil painting, as a pop art narration of the original Ghostbusters story.
In this exhibition, the artist explores forms of both commercial art and fine art, through a unique combination with the concept of contemporary pop, photo paintings and conceptualization of collage art.
He first designed and assembled all visual elements that fit the storytelling, and then rendered his subjects in a photo-painting manner, each figure is then enveloped within a colorful swell of shapes, color and form, such ensemble interventions are accomplished through the artist’s methodical process of hyperrealistic mark-making.
Utilizing a wide range of materials, his mixed media approach creates a hypnotic tension between the familiar and the fantastical.
Using acrylic and acrylic paint markers as the solid foundation upon which Michael Anderw Law’s portraits and figures manifest, thin layers of oil paint then layered upon the main subject in a more intuitive manner.
These saturated patterns move around the figure, further highlighting various gestures or the occasional curious glance peering out from behind the colorful structures.
Michael Andrew Law, currently signed to Parisian Gallery Singulart, is one of the top best sellers at Singulart. He is also one of Hong Kong's highest paid painters.
In conjunction with the show The Artist will put the entire the Making of progress of this epic large art on his Instagram feeds @michaelandrewlawartist
The exhibition will be held at Gallery Michael Andrew Law in Hong Kong, from 11 November 2021 to 27 February 2022
Due to the current restrictions concerning the CORONA-virus, this open invitation studio exhibition event is limited to private viewing by appointment only, One additional guest is allowed with each reservation, 30-minute appointment for 1 party of up to 2 people, email us to reserve your spot. Attention! Strictly NO WALK-INS allowed.
Michelle Yu (Gallery Director)
Studio Michael Andrew Law
+852 6444 7550
info@michaelandrewlaw.com
Current and upcoming events
Drew Struzan &
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Drew Struzan x Michael Andrew Law 雙人展
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Michael Andrew Law - New Painting - J.L.P and white tigers |
Simon Bisley & Michael Andrew Law 雙人展覽
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Simon Bisley & Michael Andrew Law 雙人展覽
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預定2022年舉行 | Coming Soon in 2022
如欲查詢和預約參觀，請電郵至 info@michaelandrewlaw.com 或致電+852 6444 7550 與羅卓睿畫廊聯絡。所有圖片皆受版權保護，複製前必須取得畫廊許可 。
如欲查詢和預約參觀，請電郵至 info@michaelandrewlaw.com 或致電+852 6444 7550 與羅卓睿畫廊聯絡。所有圖片皆受版權保護，複製前必須取得畫廊許可 。
Harry Potter and the philosopher's stone Revised Tribute to Drew Struzan
《哈利波特與神袐的魔法石》
電影海報20週年:致敬德魯·斯特魯讚
《哈利·波特》電影海報20週年:致敬德魯·斯特魯讚
Gallery Michael Andrew Law 畫廊榮幸地宣布舉辦羅卓睿創作的《哈利波特與神袐的魔法石》海報畫20週年展覽。
羅卓睿從 21 世紀初最成功的電影之一的哈利波特系列第一部電影中挖掘圖像的意義，企圖重新定義創作者的身份、知識產權擁有權、技巧和原創性光環等等的概念。將他對圖像表面和所代表的內容其複雜表現交易的理解應用於繪畫，他形成了一個獨特的特色，並且在創作裏面充滿了這種特色的迴聲，無疑成為了自己獨創的風格。
作為流行文化藝術及其在構建千禧世代身份認同中的角色以及這種流行文化的狂熱收藏家和敏銳的歷史研究者，他探索了動漫插畫媒體作為他的當代流行繪畫不太可能達到的深度。
對哈利波特與魔法石原作海報藝術的重新詮釋是一種對傳統繪畫臨摹和「抄畫」 根深蒂固的刻板印象的質疑，其起源於流行文化及其膚淺的形象，無處不在的各種廣告圖像，以及這種廣告圖像流傳於主流媒體對於大眾看見這種圖像之反應的特徵。
2001 年出版的《哈利波特與神袐的魔法石》海報插畫藝術——只是藝術家羅卓睿廣泛的原始流行文化藝術收藏的其中一個方面—為羅卓睿提供了一系列主要繪畫和版畫的靈感。
創作開始於掃描海報藝術，在電腦上製作拼貼畫並將它們重新構圖和在畫布上起稿，然後羅卓睿以一種讓人想起德國藝術家格哈德·里希特照片畫的方式進行繪畫，從它的層次和顏色到更生動的時刻的線條和飛濺。乍一看，他的畫作具有諷刺意味的二次創作「抄畫」，旨在解構過時所謂原創的刻板印象和企圖賦予一個以不羈姿態去演繹的21世紀當代繪畫。
但仔細觀察，他對靦腆的主題的巧妙隨意而甜美的渲染中，有一種不可否認的同謀樂趣元素。
羅卓睿 於 1982 年出生於香港，亦在香港生活和工作。他的作品一直是中型,大型展覽的主題。他的作品現藏於馬哈瑞詩國際大學 (Maharishi International University), 群體展覽包括巴塞爾藝術展， 弗里茲藝術博覽會，Affordable Art Fair，香港大會堂聯展， 香港藝術館聯展 ，中央圖書館聯展。
由於當前對限聚的情況，此開放式工作室展覽活動僅限於RSVP 或者預約的私人參觀，每次預訂允許額外2位客人，30 - 60 分鐘的預約，請給我們發電子郵件以進行預訂你的參觀。
報名電話: +852 6444 7550 ( Whatsapp / Singal )
電郵: info@michaelandrewlaw.com
十分抱歉，我們謝絕所有未經預約的參觀 (No Walk-in visit, please)。
Gallery Michael Andrew Law 畫廊榮幸地宣布舉辦羅卓睿創作的《哈利波特與神袐的魔法石》海報畫20週年展覽。
羅卓睿從 21 世紀初最成功的電影之一的哈利波特系列第一部電影中挖掘圖像的意義，企圖重新定義創作者的身份、知識產權擁有權、技巧和原創性光環等等的概念。將他對圖像表面和所代表的內容其複雜表現交易的理解應用於繪畫，他形成了一個獨特的特色，並且在創作裏面充滿了這種特色的迴聲，無疑成為了自己獨創的風格。
作為流行文化藝術及其在構建千禧世代身份認同中的角色以及這種流行文化的狂熱收藏家和敏銳的歷史研究者，他探索了動漫插畫媒體作為他的當代流行繪畫不太可能達到的深度。
對哈利波特與魔法石原作海報藝術的重新詮釋是一種對傳統繪畫臨摹和「抄畫」 根深蒂固的刻板印象的質疑，其起源於流行文化及其膚淺的形象，無處不在的各種廣告圖像，以及這種廣告圖像流傳於主流媒體對於大眾看見這種圖像之反應的特徵。
2001 年出版的《哈利波特與神袐的魔法石》海報插畫藝術——只是藝術家羅卓睿廣泛的原始流行文化藝術收藏的其中一個方面—為羅卓睿提供了一系列主要繪畫和版畫的靈感。
創作開始於掃描海報藝術，在電腦上製作拼貼畫並將它們重新構圖和在畫布上起稿，然後羅卓睿以一種讓人想起德國藝術家格哈德·里希特照片畫的方式進行繪畫，從它的層次和顏色到更生動的時刻的線條和飛濺。乍一看，他的畫作具有諷刺意味的二次創作「抄畫」，旨在解構過時所謂原創的刻板印象和企圖賦予一個以不羈姿態去演繹的21世紀當代繪畫。
但仔細觀察，他對靦腆的主題的巧妙隨意而甜美的渲染中，有一種不可否認的同謀樂趣元素。
羅卓睿 於 1982 年出生於香港，亦在香港生活和工作。他的作品一直是中型,大型展覽的主題。他的作品現藏於馬哈瑞詩國際大學 (Maharishi International University), 群體展覽包括巴塞爾藝術展， 弗里茲藝術博覽會，Affordable Art Fair，香港大會堂聯展， 香港藝術館聯展 ，中央圖書館聯展。
由於當前對限聚的情況，此開放式工作室展覽活動僅限於RSVP 或者預約的私人參觀，每次預訂允許額外2位客人，30 - 60 分鐘的預約，請給我們發電子郵件以進行預訂你的參觀。
報名電話: +852 6444 7550 ( Whatsapp / Singal )
電郵: info@michaelandrewlaw.com
十分抱歉，我們謝絕所有未經預約的參觀 (No Walk-in visit, please)。
Lunch with Manet : If Julian Schnabel goes pop™
與馬奈午餐 : 假如朱利安·施納貝爾肯創作波普藝術™ 系列
羅卓睿畫廊很高興展示藝術家Michael Andrew Law 的一系列新畫作。
在這個系列中，Michael與藝術史上的藝術家進行了對話，如達芬奇、莫迪利亞尼、弗洛伊德和馬奈等。
Michael 對馬奈最著名的傑作的詮釋來自藝術家的《假如朱利安·施納貝爾 (Julian Schnabel) 肯創作波普藝術™》系列，一看到它們，您的臉就會變得明亮。
參考超級名畫 Le Déjeuner sur l'herbe – 原名 Le Bain，是愛德華·馬奈 (Édouard Manet) 於 1862 年和 1863 年創作的一幅畫布油畫。它描繪了一個裸體女性和一個衣著暴露的女沐浴者在野餐時與兩個穿著整齊的男人農村環境。被 1863 年沙龍評審團拒絕，馬奈抓住機會在 1863 年的拒絕沙龍中展出這幅畫和另外兩幅畫，這幅畫引發了公眾的惡名和爭議。
很多古往今來藝術家的曾經嘗試拿這幅畫進行了他們自己的詮釋或重新想像(二次創作)，比如克勞德·莫奈自己版本的《Le Déjeuner sur l'herbe》，保羅·塞尚在他的《Le Déjeuner sur l'herbe》中畫了同樣的主題，連畢加索也做了幾幅模仿馬奈作品的版本。
以色彩艷麗的手工亮片為後盾，由一系列重疊、不同筆觸、飛濺或滴落組成，再現一幅閃耀著亮片的名畫。與馬奈故事相關的關鍵詞和詞彙被仔細放置在這幅畫上，以將這幅畫與藝術史連接到同一個文化整體。
繪畫風格俏皮有趣，這並不是藝術家第一次從流行文化和藝術史中汲取靈感來發表聲明，或者簡單地享受美好時光。
Michael Andrew Law 以其寫實主義和波普藝術繪畫而聞名歐美，他在這里為它們添加了一種扭曲——Michael 沒有復制這些著名圖像的表現形式，而是利用這些圖像來創造一個更加動態的畫面。
這些名畫以如此富有表現力的方式呈現，呈現出他們自己的樂趣——它們讓我們想起藝術的隨和天性以及我們從中獲得的簡單樂趣。假如Julian Schnabel 肯創作波普藝術™ 是一種在藝術中重獲那種感覺的方式呢？
回顧Michael職業生涯早期使用的一個過程，Michael 直接在計算機上設計了他多年來收集的這些著名圖像的複製品，然後打印在紙上並粘在各種尺寸的畫布上。然後用閃光、濃稠和滴落的油漆渲染，幾乎完全掩蓋了原始參考。
由於當前對疫情的情況，此開放式工作室展覽活動僅限於預約的私人觀看，每次預訂允許額外一位客人，1 人最多 2 人的派對有 30 分鐘的預約，請給我們發送電子郵件以進行預訂你的位置。注意力！嚴格禁止步行，抱歉。
Studio Michael Andrew Law is pleased to present a new series of paintings by the artist.
In this series, Law is in dialogue with artists in the art history, such as Da Vinci, Modigliani, Freud, and Manet, among others.
Michael Andrew Law’s interpretation of Manet’s most famous masterpiece from Law’s What if Julian Schnabel goes Pop™ series are bright in your face as soon as you lay eyes on them.
Referencing Le Déjeuner sur l'herbe – originally titled Le Bain, is an original oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy.
Many artists had took this painting and made their own interpretation or re-imagine, such as Claude Monet's own version of Le Déjeuner sur l'herbe, Paul Cézanne painted the same theme in his Le Déjeuner sur l'herbe, Picasso made a couple of version of pastiche to the Manet work.
Backed by a brilliant colour hand made glitter, made up of a series of overlapping, differently brush strokes, splatters or drips, reconstructing a famous painting shining with glitter. Keywords and vocabularies related to the story of Manet has been placed carefully on this painting to connect this painting with art history to the same cultural whole.
The painterly style is playful and fun, and not the first time that artists have taken from popular culture and art history either to make a statement, or simple to have a good time.
Law, well known for his photorealism and pop art paintings, has added a twist to them here – instead of copying the representation of these famous images, Law has utilized these images to create a more dynamic picture.
These famous paintings represented in such expressive ways taking on a joy of their own – they remind us of the easygoing nature of art and the simple pleasures that we took from it. What if Julian Schnabel goes Pop™ is a way to recapture that feeling in art.
Revisiting a process used earlier in his career, Law designed directly on the computer with the reproductions of these famous images that he collected over the years, then printed on paper and glued onto canvases of various sizes. Then rendered in glitter, thick and dripping paint that almost completely obscures the original references.
Due to the current restrictions concerning the CORONA-virus, this open studio event is limited to private viewing by appointment only, One additional guest is allowed with each reservation, 30-minute appointment for 1 party of up to 2 people, email us to reserve your spot. Attention! Strictly NO WALK-INS allowed, Sorry.
在這個系列中，Michael與藝術史上的藝術家進行了對話，如達芬奇、莫迪利亞尼、弗洛伊德和馬奈等。
Michael 對馬奈最著名的傑作的詮釋來自藝術家的《假如朱利安·施納貝爾 (Julian Schnabel) 肯創作波普藝術™》系列，一看到它們，您的臉就會變得明亮。
參考超級名畫 Le Déjeuner sur l'herbe – 原名 Le Bain，是愛德華·馬奈 (Édouard Manet) 於 1862 年和 1863 年創作的一幅畫布油畫。它描繪了一個裸體女性和一個衣著暴露的女沐浴者在野餐時與兩個穿著整齊的男人農村環境。被 1863 年沙龍評審團拒絕，馬奈抓住機會在 1863 年的拒絕沙龍中展出這幅畫和另外兩幅畫，這幅畫引發了公眾的惡名和爭議。
很多古往今來藝術家的曾經嘗試拿這幅畫進行了他們自己的詮釋或重新想像(二次創作)，比如克勞德·莫奈自己版本的《Le Déjeuner sur l'herbe》，保羅·塞尚在他的《Le Déjeuner sur l'herbe》中畫了同樣的主題，連畢加索也做了幾幅模仿馬奈作品的版本。
以色彩艷麗的手工亮片為後盾，由一系列重疊、不同筆觸、飛濺或滴落組成，再現一幅閃耀著亮片的名畫。與馬奈故事相關的關鍵詞和詞彙被仔細放置在這幅畫上，以將這幅畫與藝術史連接到同一個文化整體。
繪畫風格俏皮有趣，這並不是藝術家第一次從流行文化和藝術史中汲取靈感來發表聲明，或者簡單地享受美好時光。
Michael Andrew Law 以其寫實主義和波普藝術繪畫而聞名歐美，他在這里為它們添加了一種扭曲——Michael 沒有復制這些著名圖像的表現形式，而是利用這些圖像來創造一個更加動態的畫面。
這些名畫以如此富有表現力的方式呈現，呈現出他們自己的樂趣——它們讓我們想起藝術的隨和天性以及我們從中獲得的簡單樂趣。假如Julian Schnabel 肯創作波普藝術™ 是一種在藝術中重獲那種感覺的方式呢？
回顧Michael職業生涯早期使用的一個過程，Michael 直接在計算機上設計了他多年來收集的這些著名圖像的複製品，然後打印在紙上並粘在各種尺寸的畫布上。然後用閃光、濃稠和滴落的油漆渲染，幾乎完全掩蓋了原始參考。
由於當前對疫情的情況，此開放式工作室展覽活動僅限於預約的私人觀看，每次預訂允許額外一位客人，1 人最多 2 人的派對有 30 分鐘的預約，請給我們發送電子郵件以進行預訂你的位置。注意力！嚴格禁止步行，抱歉。
Studio Michael Andrew Law is pleased to present a new series of paintings by the artist.
In this series, Law is in dialogue with artists in the art history, such as Da Vinci, Modigliani, Freud, and Manet, among others.
Michael Andrew Law’s interpretation of Manet’s most famous masterpiece from Law’s What if Julian Schnabel goes Pop™ series are bright in your face as soon as you lay eyes on them.
Referencing Le Déjeuner sur l'herbe – originally titled Le Bain, is an original oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy.
Many artists had took this painting and made their own interpretation or re-imagine, such as Claude Monet's own version of Le Déjeuner sur l'herbe, Paul Cézanne painted the same theme in his Le Déjeuner sur l'herbe, Picasso made a couple of version of pastiche to the Manet work.
Backed by a brilliant colour hand made glitter, made up of a series of overlapping, differently brush strokes, splatters or drips, reconstructing a famous painting shining with glitter. Keywords and vocabularies related to the story of Manet has been placed carefully on this painting to connect this painting with art history to the same cultural whole.
The painterly style is playful and fun, and not the first time that artists have taken from popular culture and art history either to make a statement, or simple to have a good time.
Law, well known for his photorealism and pop art paintings, has added a twist to them here – instead of copying the representation of these famous images, Law has utilized these images to create a more dynamic picture.
These famous paintings represented in such expressive ways taking on a joy of their own – they remind us of the easygoing nature of art and the simple pleasures that we took from it. What if Julian Schnabel goes Pop™ is a way to recapture that feeling in art.
Revisiting a process used earlier in his career, Law designed directly on the computer with the reproductions of these famous images that he collected over the years, then printed on paper and glued onto canvases of various sizes. Then rendered in glitter, thick and dripping paint that almost completely obscures the original references.
Due to the current restrictions concerning the CORONA-virus, this open studio event is limited to private viewing by appointment only, One additional guest is allowed with each reservation, 30-minute appointment for 1 party of up to 2 people, email us to reserve your spot. Attention! Strictly NO WALK-INS allowed, Sorry.
Congratulations to our artist Lara Kavanagh features on Parisian Singulart. |
Congratulations to our artist Michelle Yu Ting Yan features on Parisian Singulart. |
Lara Kavanagh now Features on Singulart
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Michelle Yu Ting Yan now on Singulart.
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For more information on any of the artworks and prints displayed in this gallery,
please contact us at info@michaelandrewlaw.com / http://羅卓睿.com
please contact us at info@michaelandrewlaw.com / http://羅卓睿.com
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