貓王夢露一夜情緣油畫POP UP展 (畫室開放日)
ONE NIGHT STAND with The King and The Blonde Bombshell New Paintings POP UP Exhibition
5pm - 8pm 7th (Wednesday) August 2019
3D Fu Kar Court, 32 Fortress Hill Road, Hong Kong
2019年8月7日(星期三)下午5點至8點
香港島炮台山道32號 富嘉閣 3樓D室 羅卓睿畫廊
在這個由羅卓睿畫廊策展舉辦的 Pop Up 畫室開放夜展覽中,畫家對傳聞於1960年夏天間Elvis和Marilyn之間的邂逅作一次戲仿創作。
與早期羅卓睿的早期作品其試圖使繪畫看起來更像是一張照片的照片寫實主義畫作相反,“糟糕的繪畫”旨在更多地放在抽象,表現和動作繪畫(這裡引用傑克遜波拉克)的一面,所以其中圖像或現實的繪畫技巧不是第一優先,而是使用繪畫作為展示故事的姿態,圖像只是一個副作用。大多數“糟糕的繪畫”都採用透明繪畫技術在單色上塗上一層色調帆布,在整個塗裝過程中,最小到沒有顏色混合(避免混合不同顏色的塗料),最少在繪畫過程中掩蓋或修飾以避免失去繪畫的“透明度”,每件作品要么在幾小時內完成,要么被銷毀。
藝術家認為這個系列更多的是關於表現藝術,抽象藝術和波普藝術的混合體,其中作為社會評論的媒介,用於探索人類主題,如死亡,性,自我,歷史和流行文化。
Gallery Michael Andrew Law is honored to present Law Cheuk Yui’s ONE NIGHT STAND with King and Blonde Bombshell Pop Up Exhibition. In this Open Studio Exhibition by Gallery Michael Andrew Law, Law makes a parody to the alleged meeting between Elvis and Marilyn that took place in the summer of 1960.
Contrary to the Photorealistic paintings earlier in Michael Andrew Law’s earlier career which tried to make painting looks more like a photograph , “Bad Paintings” intended to be more on the side of abstract , expressive and action painting ( Here referencing Jackson Pollack ) so in which image or realistic result not the first priority instead using painting as a gesture to showcase a story , the images just a side effects. Most of the “ Bad Paintings Series “ are painted in monochrome with transparent painting techniques on top of a prepared toned canvas , in which there were minimum to no colour mixing ( Avoiding mixing of different colour paint ) in the entire painting process , with the least cover up or retouching in the painting process to avoid losing “transparency” of the painting , each work either could completed within couple hours or would be destroyed .
The artist consider this series more of an mixture of Expressive Art, Abstract Art and Pop Art in which acting as a medium of social commentary for the uses of explores humanity subject matters such as Death, Sex, Self, History and Popular Cultures.
3D Fu Kar Court, 32 Fortress Hill Road, Hong Kong
2019年8月7日(星期三)下午5點至8點
香港島炮台山道32號 富嘉閣 3樓D室 羅卓睿畫廊
在這個由羅卓睿畫廊策展舉辦的 Pop Up 畫室開放夜展覽中,畫家對傳聞於1960年夏天間Elvis和Marilyn之間的邂逅作一次戲仿創作。
與早期羅卓睿的早期作品其試圖使繪畫看起來更像是一張照片的照片寫實主義畫作相反,“糟糕的繪畫”旨在更多地放在抽象,表現和動作繪畫(這裡引用傑克遜波拉克)的一面,所以其中圖像或現實的繪畫技巧不是第一優先,而是使用繪畫作為展示故事的姿態,圖像只是一個副作用。大多數“糟糕的繪畫”都採用透明繪畫技術在單色上塗上一層色調帆布,在整個塗裝過程中,最小到沒有顏色混合(避免混合不同顏色的塗料),最少在繪畫過程中掩蓋或修飾以避免失去繪畫的“透明度”,每件作品要么在幾小時內完成,要么被銷毀。
藝術家認為這個系列更多的是關於表現藝術,抽象藝術和波普藝術的混合體,其中作為社會評論的媒介,用於探索人類主題,如死亡,性,自我,歷史和流行文化。
Gallery Michael Andrew Law is honored to present Law Cheuk Yui’s ONE NIGHT STAND with King and Blonde Bombshell Pop Up Exhibition. In this Open Studio Exhibition by Gallery Michael Andrew Law, Law makes a parody to the alleged meeting between Elvis and Marilyn that took place in the summer of 1960.
Contrary to the Photorealistic paintings earlier in Michael Andrew Law’s earlier career which tried to make painting looks more like a photograph , “Bad Paintings” intended to be more on the side of abstract , expressive and action painting ( Here referencing Jackson Pollack ) so in which image or realistic result not the first priority instead using painting as a gesture to showcase a story , the images just a side effects. Most of the “ Bad Paintings Series “ are painted in monochrome with transparent painting techniques on top of a prepared toned canvas , in which there were minimum to no colour mixing ( Avoiding mixing of different colour paint ) in the entire painting process , with the least cover up or retouching in the painting process to avoid losing “transparency” of the painting , each work either could completed within couple hours or would be destroyed .
The artist consider this series more of an mixture of Expressive Art, Abstract Art and Pop Art in which acting as a medium of social commentary for the uses of explores humanity subject matters such as Death, Sex, Self, History and Popular Cultures.
包媛茵 『夢幻風景』版畫及繪畫展覽 Faye Bradley’s
Dream Landscapes
- 羅卓睿畫廊呈獻英國藝術家包媛茵 Faye Bradley 全新版畫及繪畫展覽 。
- PDF 即時新聞稿 | PDF Press Release Download
- 藝術家包媛茵在香港出生和長大,隨後前往英國利茲大學攻讀藝術與設計學士(榮譽)學位。她一直對視覺藝術充滿熱情,並在繪畫和繪畫生活場景中為自己找到了舒適感。在利茲大學學習期間,她開始使用油畫來製作中大型藝術作品,並創作了一系列名為 『夢幻風景』 的畫作。 『夢幻風景』旨在創造一種人無法獲得的對無形夢想世界的感覺。憑藉對夢想和夢想的濃厚興趣,包媛茵通過她對人類行為的獨立論文研究,研究側重於夢想的過程以及藝術家如何在作品中受到啟發和使用。她的畫作以一種明亮,超脫現實的氛圍將觀眾描繪成一種懷舊和夢想的回憶。能夠通過多種大型(和較小的速寫)繪畫來展示這一點,使觀眾的視線能夠在每種構圖的顏色和形狀上徘徊,並感受到她希望喚起的感覺。羅卓睿畫廊 將於 9 月 11 日 下午 6 時至 8 時舉行開幕。查詢電話|Whatsapp:+85264447550目前,包媛茵居住在香港,將於10月中旬搬到倫敦,繼續從事視覺藝術事業。
Faye Bradley was born and raised in Hong Kong before moving to the U.K. to study Art and Design BA (Hons) at the University of Leeds. She has always had a passion for the visual arts, and found comfort in drawing and painting scenes of her life. During her study at Leeds university, she began to use oil paint to produce large scale art pieces and composed a series of paintings, entitled “Dream Landscapes”. Dream Landscapes aims to create a sense of the intangible dream world which humans cannot acquire physically. With a deep interest in dreams and dreaming, Faye has studied the human behaviour through her Independent Study: Dissertation, which focused on the processes of dreaming and how artists are inspired and use this in their work. Her paintings transcend a luminous, surreal atmosphere, and aspire to portray the audience into a nostalgia and remembrance of a dream. Being able to showcase this through multiple large-scale (and smaller studies) paintings, allows the viewer to wander across the colours and shapes of each composition and get a sense of the feeling she wishes to evoke.
- The processes used behind Faye’s paintings in Dream Landscapes, were inspired by the
- memories of her previous holidays and moments of happiness- found through photographs. She used these photographs as memoirs and found nostalgia and comfort, when looking at these.
- Using a selection of her best photography, she found sections of this to concentrate her
- paintings on. To find the landscape composition, she chooses the most critical points of interest on each painting, particularly focusing on the curvature of the mountains and roads to create an “unreal” landscape. She derives much of inspiration from reknowned artists, David Hockney and Milton Avery. Both these artists display an exquisite way of working, using colour to express a vivid scene. Faye expresses her notion of dreaming through colour as well, using luminous, light washes of oil paint to embody a sense of faded memory- much like being in a dream.
- The artist’s fascination in dreams was founded from her own experience in dreaming and how each one differs nightly- sometimes retraced but slightly different each time. She aims to recreate this through her work and translate the idea of dream imagery in painting Dream Landscapes series comprise of oil painting. This was a new technique for the artist, after using it only from three years ago. The fluidity and ability to create transparency through oil paints was a huge factor in determining her choice of using this medium. The importance of transparency was to focus on the dreamy atmosphere and help to enhance the dream experience for viewers.
- Faye enjoys painting on large canvases because she feels this really helps to translate a message and allow her to freely paint across the page, without restrictions. She made her own frames for her canvases as well as some ready-made ones for the larger paintings. Compositions were tested through smaller-scale studies, before being painted on the larger canvases. She also created prints of the paintings in the Dream Landscape collection, in order to allow viewers to see the paintings from a different angle and size, which completely changes the tone of the image. Faye found that this brought out a new, exciting challenge to her work.
- Currently, Faye is living in Hong Kong and will be moving to London in mid-October to further pursue her career in the visual arts.
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- PDF 即時新聞稿 | PDF Press Release Download
- Opening reception : 11,12 September 2018 6-8 pm
珠光寶氣的一夜
Dinner Party at Tiffany’z
In this Open Studio Show, Law Cheuk-Yui presents works from Two New body of work where his signature painted portraits pays tribute to Hubert de Givench, whom was famous for designed wardrobe of breakfast at tiffany's for Audrey Hepburn which incorporate to the visions of photographer Bud Fraker, film director Blake Edwards and the charisma of Audrey Hepburn, these paintings capturing the mix of candour, melancholy, determination and ambition of such iconic images from the movie.
In these two new series, Law’s work explore forms of both abstract and figurative, through a unique combination of Contemporary Pop, Photo Paintings and Color Field. Rendering his subjects in a (Richter’s) photo-painting manner, each figure is then enveloped within a colorful swell of shapes, color and form.
Such surreal interventions are accomplished through the artist’s methodical process of mark-making. Utilizing a wide range of materials, Law’s mixed media approach creates a hypnotic tension between the familiar and the fantastical. Using Acrylic and Paint Markers as the solid foundation upon which Law’s figures manifest, oil paint and glitter are then layered upon the main subject in a more intuitive manner. These saturated patterns move around the figure, further highlighting various gestures or the occasional curious glance peering out from behind the colorful structures.
在這個畫室開放夜展覽之中,畫家羅卓睿展示了兩個新的繪畫作品系列,他以招牌風格肖像繪畫向于貝爾·德·紀梵希致敬,紀梵希以為柯德莉夏萍設計的早餐設計而聞名,融入了攝影大師Bud Fraker,電影導演布萊克愛德華茲的藝術眼光和柯德莉夏萍的魅力,這些畫作捕捉了電影中這些標誌性圖像之中坦率,憂鬱,決心和野心的混合。
在這兩個新繪畫系列,畫家羅卓睿的作品通過當代普普藝術,照片繪畫和色域繪畫的獨特組合探索抽象和具象的形式。以照片繪畫的方式渲染他的主題,然後將每個人物包裹在形狀,顏色和形狀的彩色膨脹中。
這種超現實的互動是通過藝術家有條不紊的製作標記過程來實現的。利用各種各樣的材料,Law的混合媒體方法在熟悉和幻想之間產生錯覺。羅卓睿創作時候使用丙烯酸和顏料麥克筆作為人物形象的堅實基礎,然後以更無意識的方式將油畫和閃粉層疊在主要主體上。這些飽和的圖案圍繞著圖形移動,進一步突出了各種構圖或偶發的視線引導從彩色結構後面回望。
In these two new series, Law’s work explore forms of both abstract and figurative, through a unique combination of Contemporary Pop, Photo Paintings and Color Field. Rendering his subjects in a (Richter’s) photo-painting manner, each figure is then enveloped within a colorful swell of shapes, color and form.
Such surreal interventions are accomplished through the artist’s methodical process of mark-making. Utilizing a wide range of materials, Law’s mixed media approach creates a hypnotic tension between the familiar and the fantastical. Using Acrylic and Paint Markers as the solid foundation upon which Law’s figures manifest, oil paint and glitter are then layered upon the main subject in a more intuitive manner. These saturated patterns move around the figure, further highlighting various gestures or the occasional curious glance peering out from behind the colorful structures.
在這個畫室開放夜展覽之中,畫家羅卓睿展示了兩個新的繪畫作品系列,他以招牌風格肖像繪畫向于貝爾·德·紀梵希致敬,紀梵希以為柯德莉夏萍設計的早餐設計而聞名,融入了攝影大師Bud Fraker,電影導演布萊克愛德華茲的藝術眼光和柯德莉夏萍的魅力,這些畫作捕捉了電影中這些標誌性圖像之中坦率,憂鬱,決心和野心的混合。
在這兩個新繪畫系列,畫家羅卓睿的作品通過當代普普藝術,照片繪畫和色域繪畫的獨特組合探索抽象和具象的形式。以照片繪畫的方式渲染他的主題,然後將每個人物包裹在形狀,顏色和形狀的彩色膨脹中。
這種超現實的互動是通過藝術家有條不紊的製作標記過程來實現的。利用各種各樣的材料,Law的混合媒體方法在熟悉和幻想之間產生錯覺。羅卓睿創作時候使用丙烯酸和顏料麥克筆作為人物形象的堅實基礎,然後以更無意識的方式將油畫和閃粉層疊在主要主體上。這些飽和的圖案圍繞著圖形移動,進一步突出了各種構圖或偶發的視線引導從彩色結構後面回望。
GALLERY MICHAEL ANDREW LAW & CUTIE SHOWROOM FINE ART ZOOMED!!! PRESENTS
FROM UNMANIFEST TO MANIFEST IN THE ART OF HYPER POP SURREALISM
PDF Press Release : http://michaelandrewlaw.com/_Micheal%20Andrew%20Law%20-%20David%20Lynch.pdf
16 February – 30 March 2018, 4 pm (CST) Fairfield, Iowa
Three Days Opening reception:
Chinese New Year 1st Day Friday Feb 16 3:00 – 4:00 pm (CST)
Chinese New Year 2nd Day Saturday Feb 17 3:00 – 4:00 pm (CST)
Chinese New Year 3rd Day Sunday Feb 18 3:00 – 4:00 pm (CST)
Fairfield, Iowa (16 March 2018) – Cutie Showroom Fine Art ZOOMED!!! is pleased to present “From Unmanifest to Manifest in the Art of Hyper Pop Surrealism” by Michael Andrew Law, Hong Kong contemporary artist.
Michael Andrew Law, Hong Kong contemporary artist, is now having his paintings displayed in Gate Ridge Building Suite 205. Admission is free through March 30, 2018.
The displayed series “From Unmanifest to Manifest in the Art of Hyper Pop Surrealism” are 11 oil paintings including portraits of Maharishi Mahesh Yogi, President John Hagelin, Dr. David Lynch, Dr. Fred Travis and Mr. Bob Roth, in sizes from 36”x36” to 51”x71”. All of these original paintings are donated for the benefit of Maharishi University of Management and David Lynch Foundation. Purchases will be possible after March 30 and all proceeds will go directly to either of the two beneficiaries.
The first completed painting in the donation was the birthday gift to the artist’s mom who encouraged him to resume the regular practice of TM while he was facing a huge challenge in life. He did that, has experienced the changes within himself, and so desires to help others the same through the donation to MUM and David Lynch Foundation.
It is also hoped that the art display can inspire some creative insights among MUM students, and also be enjoyed by the whole community before purchases take place.PRINTS of the gift for his mom’s birthday can be available to visitors who want to support his art display and his mom’s own PhD study at MUM. The Cutie Showroom is open regularly from 3-4 pm Monday through Friday; and 3-4 pm by appointment on Saturdays and Sundays.For further information please contact the Cutie Showroom Fine Art ZOOMED!! at [email protected] or at 1-641-451-1387.
PDF Press Release : http://michaelandrewlaw.com/_Micheal%20Andrew%20Law%20-%20David%20Lynch.pdf
Gate Ridge Court Building, Suite 205
1100 North 4th Street
Fairfield
IA 52557
Three Days Opening reception:
Chinese New Year 1st Day Friday Feb 16 3:00 – 4:00 pm (CST)
Chinese New Year 2nd Day Saturday Feb 17 3:00 – 4:00 pm (CST)
Chinese New Year 3rd Day Sunday Feb 18 3:00 – 4:00 pm (CST)
Fairfield, Iowa (16 March 2018) – Cutie Showroom Fine Art ZOOMED!!! is pleased to present “From Unmanifest to Manifest in the Art of Hyper Pop Surrealism” by Michael Andrew Law, Hong Kong contemporary artist.
Michael Andrew Law, Hong Kong contemporary artist, is now having his paintings displayed in Gate Ridge Building Suite 205. Admission is free through March 30, 2018.
The displayed series “From Unmanifest to Manifest in the Art of Hyper Pop Surrealism” are 11 oil paintings including portraits of Maharishi Mahesh Yogi, President John Hagelin, Dr. David Lynch, Dr. Fred Travis and Mr. Bob Roth, in sizes from 36”x36” to 51”x71”. All of these original paintings are donated for the benefit of Maharishi University of Management and David Lynch Foundation. Purchases will be possible after March 30 and all proceeds will go directly to either of the two beneficiaries.
The first completed painting in the donation was the birthday gift to the artist’s mom who encouraged him to resume the regular practice of TM while he was facing a huge challenge in life. He did that, has experienced the changes within himself, and so desires to help others the same through the donation to MUM and David Lynch Foundation.
It is also hoped that the art display can inspire some creative insights among MUM students, and also be enjoyed by the whole community before purchases take place.PRINTS of the gift for his mom’s birthday can be available to visitors who want to support his art display and his mom’s own PhD study at MUM. The Cutie Showroom is open regularly from 3-4 pm Monday through Friday; and 3-4 pm by appointment on Saturdays and Sundays.For further information please contact the Cutie Showroom Fine Art ZOOMED!! at [email protected] or at 1-641-451-1387.
PDF Press Release : http://michaelandrewlaw.com/_Micheal%20Andrew%20Law%20-%20David%20Lynch.pdf
Gate Ridge Court Building, Suite 205
1100 North 4th Street
Fairfield
IA 52557
香港:Michael Andrew Law 榮譽呈獻在香港舉辦 『血色系列』 勒美‧蘭高 (Laramie Lanclos) 第二次個展。藝術家將於2月27日星期二下午6 - 8 點到場參加在畫廊的開幕酒會。
下載PDF新聞稿: http://michaelandrewlaw.com/Laramie%20Lanclos%20Sanguine%20Collection.pdf
對於此繪畫系列中, 蘭高想以經歷幾百年歷史的紅色炭精壓縮木炭畫法創作; 藝術家重新研製這種古典素描畫法並從善用這種紅色現代炭精材料獲得具有審美趣味的素描效果-紅色炭精 (sanguine) 意大利文為sanguina-意思就是看來像乾了的血,美麗與殘暴是蘭高作品裏面經常重溫的主題, 在近期開始使用紅色炭精方式來繪製繪畫或寫生繪畫,直到她愛上這種畫法。
這個展覽主題中的作品來自兩個不同的繪畫系列,『衰變的黃金時代』 是蘭高開始作為油畫的創作系列,帶著在當今時代衰敗的美,這系列的作品之中很多取材自專業演員和模特安德魯克雷福德(曾經演出雷神:黑暗世界)的裸體為靈感,第二個系列『歌舞伎町的愛』啟發自蘭高重複造訪東京的紅燈區,這個曾經優雅的廢墟並存與現代庸俗拆雷褪色的表像和過於暴露的性圖騰。
勒美‧蘭高是英國的藝術家,美術學士學位畢業然後專門從事油畫,怪誕和反烏托邦已經成為了她的肖像已大大區別於當代潮流的其他藝術家,在自己標誌性的創作特徵之中發展出一個非常獨特的風格。
勒美‧蘭高十年來一直在英國定期展出作品,近年來她已經開始在香港展出。
Download Press release : http://michaelandrewlaw.com/Laramie%20Lanclos%20Sanguine%20Collection.pdf
Hong Kong: Michael Andrew Law is pleased to present “Sanguine Collection” Laramie Lanclos second solo exhibition in Hong Kong. The artist will be present for an opening reception at the gallery on Tuesday, Feb 27th , from 6-8 PM.
For this collection Lanclos want to propose a centuries old drawing method of Conté Compressed Charcoal; the artist have revised and redeveloped the medium to obtain the aesthetical qualities of sanguine rock employing contemporary materials-Sanguine, The continuing discourse of beauty versus brutality that is recurrent in her work, sanguine from Italian sanguina, was so-called for its resemblance to dried blood. Lanclos began to use sanguine as a way to lay out under-paintings or for visual studies in life drawing, until she fell in love with it as a medium in its own merit.
The works in this collection comes from two different series ,'The Golden Age of Decay' that Lanclos begun as a collection of oils and carries the discourse of crumbling beauty in the contemporary age, which she worked a lot from the iper-sculpted body of professional actor and model Andrew Crayford (BBC, Never Mind The Buzzcocks, Thor: The Dark World), who's Botticellian looks have been widely employed in art and renaissance TV documentaries. The second series 'Kabukichō Mon Amour' was inspired by Lanclos repeat visits to the Red Light District of Tokyo, where elegant ruins of a past that defuses to fade coexist beside the modern vulgarity of tacky signs and overly exposed sexual innuendo.
Laramie Lanclos is a UK based artist, graduated in BA Fine Art and specialized in oil painting. The eerie and dystopia has became the signature feature in her portraiture that has greatly distinguished her work from contemporary trends, as well as developing a very unique style which was readily noticeable from her very first expo.
Lanclos has been exhibiting her work in the UK solidly for a decade, and in recent years she has begun showing in Hong Kong.
下載PDF新聞稿: http://michaelandrewlaw.com/Laramie%20Lanclos%20Sanguine%20Collection.pdf
對於此繪畫系列中, 蘭高想以經歷幾百年歷史的紅色炭精壓縮木炭畫法創作; 藝術家重新研製這種古典素描畫法並從善用這種紅色現代炭精材料獲得具有審美趣味的素描效果-紅色炭精 (sanguine) 意大利文為sanguina-意思就是看來像乾了的血,美麗與殘暴是蘭高作品裏面經常重溫的主題, 在近期開始使用紅色炭精方式來繪製繪畫或寫生繪畫,直到她愛上這種畫法。
這個展覽主題中的作品來自兩個不同的繪畫系列,『衰變的黃金時代』 是蘭高開始作為油畫的創作系列,帶著在當今時代衰敗的美,這系列的作品之中很多取材自專業演員和模特安德魯克雷福德(曾經演出雷神:黑暗世界)的裸體為靈感,第二個系列『歌舞伎町的愛』啟發自蘭高重複造訪東京的紅燈區,這個曾經優雅的廢墟並存與現代庸俗拆雷褪色的表像和過於暴露的性圖騰。
勒美‧蘭高是英國的藝術家,美術學士學位畢業然後專門從事油畫,怪誕和反烏托邦已經成為了她的肖像已大大區別於當代潮流的其他藝術家,在自己標誌性的創作特徵之中發展出一個非常獨特的風格。
勒美‧蘭高十年來一直在英國定期展出作品,近年來她已經開始在香港展出。
Download Press release : http://michaelandrewlaw.com/Laramie%20Lanclos%20Sanguine%20Collection.pdf
Hong Kong: Michael Andrew Law is pleased to present “Sanguine Collection” Laramie Lanclos second solo exhibition in Hong Kong. The artist will be present for an opening reception at the gallery on Tuesday, Feb 27th , from 6-8 PM.
For this collection Lanclos want to propose a centuries old drawing method of Conté Compressed Charcoal; the artist have revised and redeveloped the medium to obtain the aesthetical qualities of sanguine rock employing contemporary materials-Sanguine, The continuing discourse of beauty versus brutality that is recurrent in her work, sanguine from Italian sanguina, was so-called for its resemblance to dried blood. Lanclos began to use sanguine as a way to lay out under-paintings or for visual studies in life drawing, until she fell in love with it as a medium in its own merit.
The works in this collection comes from two different series ,'The Golden Age of Decay' that Lanclos begun as a collection of oils and carries the discourse of crumbling beauty in the contemporary age, which she worked a lot from the iper-sculpted body of professional actor and model Andrew Crayford (BBC, Never Mind The Buzzcocks, Thor: The Dark World), who's Botticellian looks have been widely employed in art and renaissance TV documentaries. The second series 'Kabukichō Mon Amour' was inspired by Lanclos repeat visits to the Red Light District of Tokyo, where elegant ruins of a past that defuses to fade coexist beside the modern vulgarity of tacky signs and overly exposed sexual innuendo.
Laramie Lanclos is a UK based artist, graduated in BA Fine Art and specialized in oil painting. The eerie and dystopia has became the signature feature in her portraiture that has greatly distinguished her work from contemporary trends, as well as developing a very unique style which was readily noticeable from her very first expo.
Lanclos has been exhibiting her work in the UK solidly for a decade, and in recent years she has begun showing in Hong Kong.
December to Remember : A Love Letter T̶o̶ with Banksy
Download PDF Press Release
Gallery Michael Andrew Law, announces his two-person show for the exhibition of the infamous street art revolution known as Banksy. The show which is tagged "December to Remember: A Love Letter T̶o̶ with Banksy" will witness the showcase of at least 40 of Michael’s reproduction of Banksy's incredible street art masterpieces. Attendees will also have the opportunity to see Micheal’s own private collection of new paintings. The art exhibition will be taking place from December 5 - December 8, 2017, at 3-D Fu Kar Court, 32 Fortress Hill Road, Hong Kong. Opening Reception is on Tuesday, December 5, 6-9 PM.
"I think Banksy would appreciate the idea and the effort. I created this show base on the philosophy of Banksy’s works since his works now often circulate within corridors of the rich and powerful. I find this ironic because most of the idea of his works was to mock the rich and the powerful, so I just go ahead and use my freedom as an artist to create this two-person show between Banksy and me," said Artist Michael Andrew Law.
The importance of Banksy as an art form
Banksy transformed the art world by presenting an illegal form of artwork in public places. The art is a combination of political satire and humor, delivered in a unique stenciling technique that has taken the UK and world by storm. Banksy offers an insightful and penetrative art graffiti that questions topical issues and provides bold expressions. The subject of Banksy’s art is usually anti-capitalism, anti-war, and anti-establishment, making it the perfect artistic expression for anyone with liberal consciousness to identify with.
December to Remember: A Love Letter T̶o̶ with Banksy is a non-commercial exhibition that comprises the reproduction of artwork by Banksy drawn from the gallery of a private collection. Michael Andrew Law desires to present a genuinely inspirational artwork exhibition, unlike the ones common in the high-end art world.
About Michael Andrew Law
Michael Andrew Law was born in British Hong Kong, 1982. He studied painting with Sam Tsang of the Central Academy of Art in Beijing and with New York native classical painter Dan Anderson at his Hong Kong studio. Law co-founded the Hong Kong Art Studio Nature Art Workshop. The organization functions as a supportive environment for the fostering of emerging Hong Kong artists in addition to producing and marketing Law’s related work. As a curator, Law has organized an exhibition of contemporary art that shares a range of responses to Hong Kong’s Gen Y pop culture. For more information, please contact +85264447550, or visit www.gallerymichaelandrewlaw.com.
Gallery Michael Andrew Law, announces his two-person show for the exhibition of the infamous street art revolution known as Banksy. The show which is tagged "December to Remember: A Love Letter T̶o̶ with Banksy" will witness the showcase of at least 40 of Michael’s reproduction of Banksy's incredible street art masterpieces. Attendees will also have the opportunity to see Micheal’s own private collection of new paintings. The art exhibition will be taking place from December 5 - December 8, 2017, at 3-D Fu Kar Court, 32 Fortress Hill Road, Hong Kong. Opening Reception is on Tuesday, December 5, 6-9 PM.
"I think Banksy would appreciate the idea and the effort. I created this show base on the philosophy of Banksy’s works since his works now often circulate within corridors of the rich and powerful. I find this ironic because most of the idea of his works was to mock the rich and the powerful, so I just go ahead and use my freedom as an artist to create this two-person show between Banksy and me," said Artist Michael Andrew Law.
The importance of Banksy as an art form
Banksy transformed the art world by presenting an illegal form of artwork in public places. The art is a combination of political satire and humor, delivered in a unique stenciling technique that has taken the UK and world by storm. Banksy offers an insightful and penetrative art graffiti that questions topical issues and provides bold expressions. The subject of Banksy’s art is usually anti-capitalism, anti-war, and anti-establishment, making it the perfect artistic expression for anyone with liberal consciousness to identify with.
December to Remember: A Love Letter T̶o̶ with Banksy is a non-commercial exhibition that comprises the reproduction of artwork by Banksy drawn from the gallery of a private collection. Michael Andrew Law desires to present a genuinely inspirational artwork exhibition, unlike the ones common in the high-end art world.
About Michael Andrew Law
Michael Andrew Law was born in British Hong Kong, 1982. He studied painting with Sam Tsang of the Central Academy of Art in Beijing and with New York native classical painter Dan Anderson at his Hong Kong studio. Law co-founded the Hong Kong Art Studio Nature Art Workshop. The organization functions as a supportive environment for the fostering of emerging Hong Kong artists in addition to producing and marketing Law’s related work. As a curator, Law has organized an exhibition of contemporary art that shares a range of responses to Hong Kong’s Gen Y pop culture. For more information, please contact +85264447550, or visit www.gallerymichaelandrewlaw.com.
Michael Andrew Law : New Flower Paintings
Gallery Michael Andrew Law is honored to present Michael Andrew Law : New Flower Paintings.
Inspired by the beauty of the most enduring symbol of love and beauty in any culture - Flowers and especially - Red Roses , the artist uses these symbol to engages life's grand themes—sexuality, obsession, suffering, redemption, death, and belief .
As a founder of art movement Hyper Pop Surrealism, in these paintings, the artist continues to use Computer Generated Imagery incorporated with Traditional Hand-painted technique , merging the idea of Graphic Design and Painterly Gesture - hand-applied ink, oil paint, gesso, enamel and resin. By digitally manipulating images of Vector Design and Calligraphy , Michael Andrew Law forges gestural streaks by inserting and compositing images of Flowers, figures and text. The paint are splattered, dripped, washed or carefully painted over the digital images after the Giclée were made in the studio .
Michael Andrew Law (born in British Hong Kong, 1982) creates what renowned art dealer Douwe Cramer calls, “Hyper Pop Surrealist paintings.” Law studied painting with Sam Tsang of the Central Academy of Art in Beijing and with New York native classical painter Dan Anderson at his Hong Kong studio. Law co-founded the Hong Kong Art Studio Nature Art Workshop. The organization functions as a supportive environment for the fostering of emerging Hong Kong artists in addition to producing and marketing Law’s related work. As a curator, Law has organized an exhibition of contemporary art that shares a range of responses to HongKong’s Gen Y pop culture.
Opening Reception : 6pm - 9pm 3 October 2017 | Gallery Contact : +85264447550
Michael Andrew Law:花曬 全新繪畫&版畫展覽
畫廊 Gallery Michael Andrew Law榮幸地推薦藝術家羅卓睿:花曬 全新繪畫&版畫展覽。
靈感來源於任何文化中最持久的愛與美的象徵 - 花,尤其是紅玫瑰,藝術家用這些符號來融入生活中的主題 - 情慾,迷痴,痛苦,贖罪,死亡和信仰。
作為藝術運動超普普超現實主義 ( Hyper Pop Surrealism ) 的創始人,在這些繪畫中,藝術家繼續沿用與傳統手繪技術相結合的數碼圖像,融合了平面設計和手繪形式的創作理念 - 使用手繪墨水,油彩,石膏底油,瓷漆和樹脂。通過向數碼量圖形設計和書法圖像,藝術家羅卓睿通過拼貼和合成由花,圖形和文字的圖像來創作構圖。在專業工作室製作版畫之後,再在數字圖像上用噴濺,滴落,洗滌或仔細地塗上顏料的方法實踐”繪畫”作為一種行為的概念。
Michael Andrew Law(1982年出生於英國香港)創造了“超普普現實主義繪畫”。藝術家羅卓睿曾經與紐約古典畫家丹安德森在他的香港工作室學習和工作。其後獲得贊助共同創立了香港藝術工作室Nature Art Workshop。除了製作和銷售藝術相關工作之外,該組織也是培育新興香港藝術家的樂園。作為策展人,羅卓睿組織了多場當代藝術展覽,對香港的Y流行文化展開了一系列的回應。本次展覽中字出超過一百幅羅卓睿全新繪畫以及版畫作品。
開幕酒會於2017年10月3日下午六時至九時 | 畫廊聯絡:+852 64447550
Gallery Michael Andrew Law is honored to present Michael Andrew Law : New Flower Paintings.
Inspired by the beauty of the most enduring symbol of love and beauty in any culture - Flowers and especially - Red Roses , the artist uses these symbol to engages life's grand themes—sexuality, obsession, suffering, redemption, death, and belief .
As a founder of art movement Hyper Pop Surrealism, in these paintings, the artist continues to use Computer Generated Imagery incorporated with Traditional Hand-painted technique , merging the idea of Graphic Design and Painterly Gesture - hand-applied ink, oil paint, gesso, enamel and resin. By digitally manipulating images of Vector Design and Calligraphy , Michael Andrew Law forges gestural streaks by inserting and compositing images of Flowers, figures and text. The paint are splattered, dripped, washed or carefully painted over the digital images after the Giclée were made in the studio .
Michael Andrew Law (born in British Hong Kong, 1982) creates what renowned art dealer Douwe Cramer calls, “Hyper Pop Surrealist paintings.” Law studied painting with Sam Tsang of the Central Academy of Art in Beijing and with New York native classical painter Dan Anderson at his Hong Kong studio. Law co-founded the Hong Kong Art Studio Nature Art Workshop. The organization functions as a supportive environment for the fostering of emerging Hong Kong artists in addition to producing and marketing Law’s related work. As a curator, Law has organized an exhibition of contemporary art that shares a range of responses to HongKong’s Gen Y pop culture.
Opening Reception : 6pm - 9pm 3 October 2017 | Gallery Contact : +85264447550
Michael Andrew Law:花曬 全新繪畫&版畫展覽
畫廊 Gallery Michael Andrew Law榮幸地推薦藝術家羅卓睿:花曬 全新繪畫&版畫展覽。
靈感來源於任何文化中最持久的愛與美的象徵 - 花,尤其是紅玫瑰,藝術家用這些符號來融入生活中的主題 - 情慾,迷痴,痛苦,贖罪,死亡和信仰。
作為藝術運動超普普超現實主義 ( Hyper Pop Surrealism ) 的創始人,在這些繪畫中,藝術家繼續沿用與傳統手繪技術相結合的數碼圖像,融合了平面設計和手繪形式的創作理念 - 使用手繪墨水,油彩,石膏底油,瓷漆和樹脂。通過向數碼量圖形設計和書法圖像,藝術家羅卓睿通過拼貼和合成由花,圖形和文字的圖像來創作構圖。在專業工作室製作版畫之後,再在數字圖像上用噴濺,滴落,洗滌或仔細地塗上顏料的方法實踐”繪畫”作為一種行為的概念。
Michael Andrew Law(1982年出生於英國香港)創造了“超普普現實主義繪畫”。藝術家羅卓睿曾經與紐約古典畫家丹安德森在他的香港工作室學習和工作。其後獲得贊助共同創立了香港藝術工作室Nature Art Workshop。除了製作和銷售藝術相關工作之外,該組織也是培育新興香港藝術家的樂園。作為策展人,羅卓睿組織了多場當代藝術展覽,對香港的Y流行文化展開了一系列的回應。本次展覽中字出超過一百幅羅卓睿全新繪畫以及版畫作品。
開幕酒會於2017年10月3日下午六時至九時 | 畫廊聯絡:+852 64447550
Laramie Lanclos | 勒美‧蘭高
The Eerie & Dystopia | 毛骨悚然的絕望鄉
The Eerie & Dystopia | 毛骨悚然的絕望鄉
- Opening Reception : 23th May Tuesday 6- 8 pm | 開幕酒會 5月23日(星期二)晚間6時至8時
Shown by Appointment Only Until 27th May | 展覽期至5月27日: 只限預約
Gallery Michael Andrew Law | 羅卓睿畫廊
3D Fu Kar Court , 32 Fortress Hill Road, HKG
+852 64447550 GalleryMichaelAndrewLaw.com - Gallery Michael Andrew Law 榮幸呈獻意大利-英國藝術家勒美‧蘭高於香港首場個展 <毛骨悚然的絕望鄉> , 發表包括全新繪畫/版畫和寫生作品。
- 意大利-英國藝術家勒美‧蘭高,美術學士學位畢業,專門從事油畫藝術創作。
- 令人毛骨悚然的絕望鄉探討和反思有關社會表面粉飾太平,但內在卻充斥著無法控制的各種人性壓抑和弊病 ,絕望鄉是烏托邦(utopia)的反義語 - 希臘語字面意思是「不好的地方」,它是一種不得人心、令人恐懼的假想社會,與理想社會相反的,一種極端惡劣的社會最終形態。
- 蘭高的油畫透過黑色電影視覺的畫面和新表現主義的啟發,混合著古典與現代繪畫技巧等已經成為蘭高的肖像畫中的特色,這使勒美‧蘭高的作品與其他當代油畫藝術潮流有很大差異並且發展出非常具個人特色的繪畫風格,在勒美‧蘭高的第一場歐洲博覽上發表的作品很明顯看得到。
- 自2005年以來,勒美‧蘭高在倫敦堅定地表現出了強大的創作力。蘭高創作背後的靈感來自於最不尋常的形式,例如盯著黑色的拉絲線輝映著皇后區的橙色日落,在一個廢棄的建築物昏暗的走廊裡困著氣喘吁籲的舞者,或者一個夏天徘徊在東京的紙燈籠。
- 在日本的城市景觀中,從現代到現代傳統的並列現代與現代的並存,使勒美‧蘭高想起了DeChirico未來派的荒廢和寫生之中的人體模特,他們在她童年時期也很喜歡和困擾著勒美‧蘭高。北歐中部的古怪的民間傳說。隔離在曠野的聲音和城市的燈光。勒美‧蘭高覺得存在的本質就是塑造勒美‧蘭高的作品自重審美素質的動力話語,她經常忽略色彩和輕盈,有利於表達和情緒。
- Gallery Michael Andrew Law is delighted to present “ The Eerie & Dystopia ” , the first solo gallery exhibition in Hong Kong by Italian-English Artist Laramie Lanclos .
- Laramie Lanclos is an UK based artist, graduated in BA Fine Art and specialized in oil painting.
- The eerie and dystopia has became the signature feature in her portraiture that has greatly distinguished her work from contemporary trends, as well as developing a very unique style which was readily noticeable from her very first expo.
- The inspiration behind Laramie’s work comes in the most unusual forms, staring the black stretched wires against the orange sunset of Queens at down, haunting panting dancers in the dim corridors of an disused building, or prowling paper lantern alleys of Tokyo on a summer night. She adopts contrast from everything, the juxtaposition of the modern to the traditional so alive in the Japanese urban landscape, a quality that reminds of DeChirico futuristic wastelands and mannequins, who equally elated and haunted her in childhood.
- The poetically grotesque folklore of central northern Europe. The isolation of standing in the wilderness above the noise and city lights. She feels the essence of being is the driving discourse that shapes the aesthetic quality of her work, often omitting colour and lightness in favour of expression and mood.
- Opening Reception : 23th May Tuesday 6- 8 pm | 開幕酒會 5月23日(星期二)晚間6時至8時
Shown by Appointment Only Until 27th May | 展覽期至5月27日: 只限預約
Gallery Michael Andrew Law | 羅卓睿畫廊
3D Fu Kar Court , 32 Fortress Hill Road, HKG
+852 64447550 GalleryMichaelAndrewLaw.com - 下載中文版PDF新聞稿中
Download Press Relase PDF
下載中文版PDF新聞稿中
Download Press Relase PDF
比大師更大師 : 創作進展展覽
公眾開放日:3月14日(星期二)至17日(星期五) 下午一時到晚上七時
開幕酒會:3月14日(星期二)下午六時至九時
Download Press Relase PDF
比大師更大師 : 創作進展展覽
公眾開放日:3月14日(星期二)至17日(星期五) 下午一時到晚上七時
開幕酒會:3月14日(星期二)下午六時至九時
香港(2017年3月7日) - Michael Andrew Law畫廊很榮幸為閣下展示“比大師更大師”創作進展藝術展覽。
所有形式的藝術都具有喚起人們不同情緒、靈感和激情的品質。不是來自特定階層或生活方式的人才能理解或欣賞藝術。自稱為“香港村上隆”的Michael Andrew Law(羅卓睿)正在舉辦一場創作進展展覽展覽。與過去和當下的著名畫像進行對話,“比大師更大師”包括Law重新演譯達芬奇、維米爾、沃霍爾等人的畫作,藉此挑戰觀眾反思,究竟是因為藝術品的名聲,還是藝術品的本身令觀眾決定去喜歡該藝術品或藝術家。
視覺藝術展覽對實踐藝術至關重要,因為它不僅為藝術家提供了一個接觸觀眾的途徑,並且它促進藝術家超越他們即時實踐環境的限制。這個繪畫系列圍繞著名畫像的魅力而創作作。每個作品都有手繪的光彩和石膏,並融合大量通常取自於王羲之作品的中國書法字元。作為一種形而上學的出現,閃亮的底色,將觀察者即時地連接到文化和世界歷史的大觀園之中,因為觀察者會反射在繪畫上的每一顆閃光粒上。這些畫作作為一種手段,在鼓勵或引起觀眾去質疑傑出、偉大、膚淺和虛偽之間的想法的對話中,將每個人和作品連接起來。
Michael Andrew Law畫廊由著名Hyper Pop Surrealism藝術家Michael Andrew Law於2014年創立。除了Michael Andrew Law創作相關的營運工作和行銷藝術品,Michael Andrew Law畫廊還作為一個為藝術收藏家和嘉賓的私人鑒賞空間。通過在畫廊的生產和藝術品銷售管理,畫廊努力創造和建立一種令藝術自身具有新的社會價值的創意產業運營模式。Michael Andrew Law(1982年出生於英屬香港)創立了“至激普普超現實主義繪畫”(Hyper Pop Surrealism)。羅曾同創辦了香港藝術工作室NatureArt Workshop及Michael Andrew Law Art School。作為策展人,羅還組織了多場與香港的年輕一代流行文化相呼應的現代藝術展。
如欲查詢,請電郵至[email protected]或致電+852 6444 7550與Michael Andrew Law 畫廊聯絡。
Better than the Masters : A Work in Progress
14 –17 March 2017, 1 – 7pm
Opening reception: 14 March 2017, 6 – 9pm
Hong Kong (7 March 2017) – Gallery Michael Andrew Law is pleased to present “Better than the Masters : A Work in Progress”.
Art in all its forms has the quality to evoke different emotions, inspirations and passions among people. One does not have to be from a specific class or lifestyle to understand or to appreciate art. Michael Andrew Law, the self-proclaimed “Hong Kong Murakami Takashi” is hosting an exhibition where Artist & Curator Michael Andrew Law questions, if the audience understands or appreciate artworks because it's famous. New works in progress paintings and prints displayed in this exhibition includes Law’s reinterpretation of famous images of the past and the present, including paintings by Da Vinci, Vermeer, Warhol among others.
Visual art exhibition is paramount to the practice art, not only because it provides an avenue for the artist to meet the audience but also, it promotes the artist beyond the confines of his/her immediate practicing environment. Michael Andrew Law works resides around the power of famous images. Each work features photorealistic re-interpretation of the famous paintings, hand-painted glitter and gesso and many incorporate big fat Chinese calligraphy characters, often taken from Xizhi Wang’s works. The glitter underpainting work as a metaphysical occurrence connecting the viewer to a family of cultural and world history in real time as the viewer is reflected in every piece of glitter particles on the painting. These paintings work as a device for connecting everyone in the dialogue of encouraging or challenging the viewers to question the idea between mastery, greatness, superficiality, and hypocrisy.
Gallery Michael Andrew Law was founded by the renowned artist and founder of Hyper Pop Surrealism Michael Andrew Law in 2014. In addition to the production and marketing of Michael Andrew Law's art and related work, Gallery Michael Andrew Law functions as a private viewing room for art collectors and guests. Through the management of production and sale of artwork at the gallery, the gallery strives to create and establish an operation that will imbue art itself with a new social value.
For further information please contact the gallery at [email protected] or at +852 64447550.
所有形式的藝術都具有喚起人們不同情緒、靈感和激情的品質。不是來自特定階層或生活方式的人才能理解或欣賞藝術。自稱為“香港村上隆”的Michael Andrew Law(羅卓睿)正在舉辦一場創作進展展覽展覽。與過去和當下的著名畫像進行對話,“比大師更大師”包括Law重新演譯達芬奇、維米爾、沃霍爾等人的畫作,藉此挑戰觀眾反思,究竟是因為藝術品的名聲,還是藝術品的本身令觀眾決定去喜歡該藝術品或藝術家。
視覺藝術展覽對實踐藝術至關重要,因為它不僅為藝術家提供了一個接觸觀眾的途徑,並且它促進藝術家超越他們即時實踐環境的限制。這個繪畫系列圍繞著名畫像的魅力而創作作。每個作品都有手繪的光彩和石膏,並融合大量通常取自於王羲之作品的中國書法字元。作為一種形而上學的出現,閃亮的底色,將觀察者即時地連接到文化和世界歷史的大觀園之中,因為觀察者會反射在繪畫上的每一顆閃光粒上。這些畫作作為一種手段,在鼓勵或引起觀眾去質疑傑出、偉大、膚淺和虛偽之間的想法的對話中,將每個人和作品連接起來。
Michael Andrew Law畫廊由著名Hyper Pop Surrealism藝術家Michael Andrew Law於2014年創立。除了Michael Andrew Law創作相關的營運工作和行銷藝術品,Michael Andrew Law畫廊還作為一個為藝術收藏家和嘉賓的私人鑒賞空間。通過在畫廊的生產和藝術品銷售管理,畫廊努力創造和建立一種令藝術自身具有新的社會價值的創意產業運營模式。Michael Andrew Law(1982年出生於英屬香港)創立了“至激普普超現實主義繪畫”(Hyper Pop Surrealism)。羅曾同創辦了香港藝術工作室NatureArt Workshop及Michael Andrew Law Art School。作為策展人,羅還組織了多場與香港的年輕一代流行文化相呼應的現代藝術展。
如欲查詢,請電郵至[email protected]或致電+852 6444 7550與Michael Andrew Law 畫廊聯絡。
Better than the Masters : A Work in Progress
14 –17 March 2017, 1 – 7pm
Opening reception: 14 March 2017, 6 – 9pm
Hong Kong (7 March 2017) – Gallery Michael Andrew Law is pleased to present “Better than the Masters : A Work in Progress”.
Art in all its forms has the quality to evoke different emotions, inspirations and passions among people. One does not have to be from a specific class or lifestyle to understand or to appreciate art. Michael Andrew Law, the self-proclaimed “Hong Kong Murakami Takashi” is hosting an exhibition where Artist & Curator Michael Andrew Law questions, if the audience understands or appreciate artworks because it's famous. New works in progress paintings and prints displayed in this exhibition includes Law’s reinterpretation of famous images of the past and the present, including paintings by Da Vinci, Vermeer, Warhol among others.
Visual art exhibition is paramount to the practice art, not only because it provides an avenue for the artist to meet the audience but also, it promotes the artist beyond the confines of his/her immediate practicing environment. Michael Andrew Law works resides around the power of famous images. Each work features photorealistic re-interpretation of the famous paintings, hand-painted glitter and gesso and many incorporate big fat Chinese calligraphy characters, often taken from Xizhi Wang’s works. The glitter underpainting work as a metaphysical occurrence connecting the viewer to a family of cultural and world history in real time as the viewer is reflected in every piece of glitter particles on the painting. These paintings work as a device for connecting everyone in the dialogue of encouraging or challenging the viewers to question the idea between mastery, greatness, superficiality, and hypocrisy.
Gallery Michael Andrew Law was founded by the renowned artist and founder of Hyper Pop Surrealism Michael Andrew Law in 2014. In addition to the production and marketing of Michael Andrew Law's art and related work, Gallery Michael Andrew Law functions as a private viewing room for art collectors and guests. Through the management of production and sale of artwork at the gallery, the gallery strives to create and establish an operation that will imbue art itself with a new social value.
For further information please contact the gallery at [email protected] or at +852 64447550.
Art in all its forms has the quality to evoke different emotions, inspirations and passions among people. One does not have to be from a specific class or lifestyle to understand or to appreciate art. Michael Andrew Law, the self-proclaimed “Hong Kong Murakami Takashi” is hosting an exhibition where Artist / Curator Michael Andrew Law questions, if the audience understands or appreciate artworks because it's famous. New work in progress paintings and prints displayed in this exhibition includes Law’s reinterpretation of famous images of the past and the present, including paintings by Da Vinci, Vermeer, Warhol among others.
Visual art exhibition is paramount to the practice art, not only because it provides an avenue for the artist to meet the audience but also, it promotes the artist beyond the confines of his/her immediate practicing environment. Michael Andrew Law works resides around the power of famous images. Each work features photorealistic re-interpretation of the famous paintings, hand-painted glitter and gesso and many incorporate big fat Chinese calligraphy characters, often taken from Xizhi Wang’s works. The glitter underpainting work as a metaphysical occurrence connecting the viewer to a family of cultural and world history in real time as the viewer is reflected in every piece of glitter particles on the painting. These paintings work as a device for connecting everyone in the dialogue of encouraging or challenging the viewers to question the idea between mastery, greatness, superficiality, and hypocrisy.
Gallery Michael Andrew Law was founded by the renowned artist and founder of Hyper Pop Surrealism Michael Andrew Law in 2014. In addition to the production and marketing of Michael Andrew Law's art and related work, Gallery Michael Andrew Law functions as a private viewing room for art collectors and guests. Through the management of production and sale of artwork at the gallery, the gallery strives to create and establish an operation that will imbue art itself with a new social value.
For further information please contact the gallery at [email protected] or at +852 64447550.
Visual art exhibition is paramount to the practice art, not only because it provides an avenue for the artist to meet the audience but also, it promotes the artist beyond the confines of his/her immediate practicing environment. Michael Andrew Law works resides around the power of famous images. Each work features photorealistic re-interpretation of the famous paintings, hand-painted glitter and gesso and many incorporate big fat Chinese calligraphy characters, often taken from Xizhi Wang’s works. The glitter underpainting work as a metaphysical occurrence connecting the viewer to a family of cultural and world history in real time as the viewer is reflected in every piece of glitter particles on the painting. These paintings work as a device for connecting everyone in the dialogue of encouraging or challenging the viewers to question the idea between mastery, greatness, superficiality, and hypocrisy.
Gallery Michael Andrew Law was founded by the renowned artist and founder of Hyper Pop Surrealism Michael Andrew Law in 2014. In addition to the production and marketing of Michael Andrew Law's art and related work, Gallery Michael Andrew Law functions as a private viewing room for art collectors and guests. Through the management of production and sale of artwork at the gallery, the gallery strives to create and establish an operation that will imbue art itself with a new social value.
For further information please contact the gallery at [email protected] or at +852 64447550.