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In 2017, Hong Kong-based artist Michael Andrew Law unveiled a large-scale painting titled "Lady Godiva by John Collier". This vibrant, mixed-media artwork, spanning 200x200 cm, is a modern reinterpretation of John Collier's celebrated 19th-century painting. Law's rendition is a unique blend of historical homage and contemporary art practices, incorporating glitter, oil, acrylic, diamond dust, and graffiti-style text to create a striking visual narrative. A Dazzling Display of Mixed Media Law's painting style is expressively dynamic, making a deliberate departure from the traditional aesthetics of the original artwork. His use of glitter and diamond dust creates a visual spectacle that shimmers and shifts under varying light conditions, bringing a sense of vivacity and movement to the painting. The oil and acrylic mediums, meanwhile, lend depth and vibrancy to the piece, allowing Law to explore a range of textures and effects. This combination of mediums not only creates a visually stunning piece but also symbolizes the multifaceted nature of Lady Godiva herself — a noblewoman and a defiant protestor. The Power of Text: A Nod to Schnabel and Twombly One of the standout features of Law's painting is his use of colorful, graffiti-style text, reminiscent of the styles of Cy Twombly and Julian Schnabel. However, these aren't just decorative elements. The text serves as a narrative layer, detailing the history of Collier's original painting and the legendary tale of Lady Godiva. The text, written in a bold, energetic style, blends seamlessly with the painting's vibrant colors and textures. This fusion of art and history encourages viewers to engage with the painting on a more profound level, enriching their understanding of the artwork and its context. Honoring History Through Art The story of Lady Godiva, an 11th-century noblewoman who rode naked through the streets of Coventry to protest her husband's oppressive taxation, has been immortalized in Collier's 1898 painting. Collier depicted Godiva's act of defiance with a sense of modesty and dignity. In reinterpreting this historical narrative, Law doesn't just pay homage to the original painting; he also highlights its enduring relevance. His painting invites viewers to reflect on the continuing fight for justice and equality, emphasizing the timeless nature of Lady Godiva's protest. Conclusion Michael Andrew Law's "Lady Godiva by John Collier" (2017) is a masterful fusion of history, storytelling, and mixed-media art. The painting is not only an expressive tribute to John Collier's original work but also a vibrant contemporary interpretation that resonates with modern audiences. By incorporating glitter, diamond dust, and graffiti-style text, Law adds a unique, personal touch to the artwork, establishing a deeper connection with viewers and inviting them to engage in a dialogue with the painting and its historical context.
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 Michael Andrew Law, a trailblazer in the postmodern art scene, has recently curated a striking series, "Ad Art", which vividly showcases his innovative approach to integrating beauty and fashion into contemporary art. Drawing inspiration from Jeff Koons' "Art Ads", Law's Ad Art series brings a fresh perspective on the intersection of art, consumerism, and identity by focusing on the representation of fashionable brunette-haired women. Brunette Models in Ad Art Series The Ad Art series uniquely combines found images, predominantly royalty-free stock photos featuring stylish and beautiful brunette women. The choice of using brunette models is not arbitrary. Brunettes are often associated with sophistication, intelligence, and fashion, making them a perfect choice for Law's exploration of beauty standards in modern society. These images are then brilliantly overlaid with the artist's brand logo, "Michael Andrew Law", positioned prominently in the center of each photo. The juxtaposition of the logo with the elegant brunette models creates a compelling dialogue about the commercialization and commodification of beauty. Homage to Jeff Koons Law's Ad Art series pays homage to Jeff Koons' iconic "Art Ads" series that critiqued the art market and celebrity culture, often featuring promotional-style photographs of Koons himself along with text discussing the importance of his own artworks. Emulating Koons' critique of art commercialization, Law's Ad Art series uses the logo of his name as a brand, commenting on the transformation of artists into commodities in the art industry. However, rather than featuring himself, Law uses images of brunette fashion models, adding an additional layer of commentary on beauty standards and the fashion industry. Impact of the Ad Art Series Law's Ad Art series has stirred a range of reactions, with some lauding it as a clever critique of the commercialization of beauty and art. The use of brunette models, in particular, has drawn attention, providing a striking visual motif that unifies the series and underscores its themes. The series is a reflection of our society's obsession with branding and commodification, not just of art, but also of beauty and fashion. By choosing to feature brunette models, Law positions these women as symbols of these industries, leading viewers to question the ways in which beauty and style are marketed and sold. Michael Andrew Law's Ad Art series is a potent exploration of the intersections of art, fashion, beauty, and commerce. Drawing from the provocative spirit of Jeff Koons' "Art Ads", Law's series adds a new dimension to this dialogue, focusing on the representation of brunette fashion models as a symbol of commodified beauty in the 21st century. In the world of contemporary art, few have dared to tread the path of experimental fusion quite like Michael Andrew Law. The Hong Kong-based artist has consistently pushed the boundaries of visual narrative through an amalgamation of various art styles. His 2017 work, "The Persistence of Memory by Salvador Dalí," is a testament to his daring approach to art, offering a unique blend of traditional and modern aesthetics by paying homage to Salvador Dalí's iconic painting housed in The Museum of Modern Art (MoMA). Law's large mixed media piece, measuring an impressive 160x160 cm, is a direct reference to Dalí's "The Persistence of Memory," with a unique twist. The painting is crafted on linen canvas using glitter, oil, and acrylic, demonstrating Law's mastery over diverse mediums. A Fusion of Styles Law's interpretation of Dalí's famous painting is truly a sight to behold. It is a riot of colors, with layers of graffiti-inspired text sprawling across the canvas. This element is reminiscent of the expressive works of Cy Twombly and Anselm Kiefer. The words, layered in vibrant hues over the original image, tell the history of Dalí and his storied painting, creating a multi-dimensional narrative that invites viewers to delve into the world of surrealism. In the midst of this chaotic vibrancy, Dalí's original elements are threaded with glittering strands of gold and silver glitter, adding a modern, gleaming touch to the surreal landscape. The melting clocks, a staple of Dalí's original, are both preserved and transformed, rendered in Law's unique aesthetic language. A Homage to History The text written across the canvas is not merely decorative; it serves as a historical context, narrating the tale of Salvador Dalí and his iconic painting. It's an innovative method of storytelling, where the canvas itself becomes an interactive medium, guiding viewers through the journey of "The Persistence of Memory." Law's painting is a tribute to the legacy of Dalí, but it's also a testament to the evolution of art. It bridges the gap between the old and the new, between traditional surrealism and contemporary street art, creating a dialogue between different eras and styles. Michael Andrew Law's "The Persistence of Memory by Salvador Dalí" is more than just a painting; it's an immersive experience that invites viewers to explore the layers of art history, surrealism, and modern expression. It's a tribute, a reinterpretation, and a radical reinvention all at once, encapsulating Law's bold vision and his unflinching commitment to pushing the boundaries of art. This work is a testament to Law's innovative approach, blending disparate elements to create a cohesive, compelling narrative. It serves as a symbol of the enduring relevance of Dalí's work, while also showcasing the limitless potential of contemporary art to reinterpret and redefine the classics. In the grand canvas of history, Law's work is a vibrant addition, a testament to the undying persistence of memory, and a glittering tribute to the enduring legacy of Salvador Dalí.  Unveiling the Intricacies: Artistic Transformations and Subtle Irony in Michael Andrew Law's "A Girl Adorned with White Tiger Fur and Her Feline Companion"
In the ever-evolving world of contemporary art, artists tirelessly push the boundaries of creative expression, giving life to groundbreaking forms of art. One such artist is Michael Andrew Law, whose mixed media painting "A Girl Adorned with White Tiger Fur and Her Feline Companion" intricately weaves together elements of readymade art, found imagery, and Jason Lee Parry's photography, while drawing on the influences of hyper-realism and classical painting techniques. This piece also incorporates a subtle irony that invites the audience to ponder the narrative's complexities. Law's work is inspired by the pioneering artists Marcel Duchamp and Richard Prince, whose avant-garde contributions to the art world challenged traditional notions of art and appropriation. Duchamp's readymades and Prince's rephotographs introduced new ways of artistic expression by repurposing pre-existing objects and images to create original meaning. Similarly, Law's "A Girl Adorned with White Tiger Fur and Her Feline Companion" extracts the visual essence of Jason Lee Parry's edgy fashion photography and reimagines it, weaving a captivating tale of beauty, danger, and the surreal, while also hinting at an underlying irony. The painting portrays a striking young woman, her image sourced from one of Parry's photographs. In Law's adaptation, the girl is placed in a lush, exotic jungle, accompanied by a majestic white tiger. The contrast between the woman's delicate beauty and the raw power of the wild animal invites viewers to reexamine their perceptions of the subject matter and its context. By reinventing Parry's original photograph and situating the woman within a fantastical, mysterious setting, Law infuses the image with a fresh, enigmatic quality. A subtle irony is introduced in the painting by depicting the girl wearing a white tiger fur, while sitting next to a living white tiger. This juxtaposition encourages the audience to question the relationship between the two and ponder the implications of the girl wearing the fur of the very animal that accompanies her. This nuanced irony adds a layer of complexity to the narrative, enticing viewers to dig deeper into the story the painting tells. Using both oil and acrylic in the piece, Law adds depth and texture, setting it apart from its photographic origin. The vibrant colors evoke a sense of otherworldliness, while the careful application of paint highlights the woman's vulnerability against the untamed backdrop. The tiger fur draped across her shoulders implies a connection with the animal, as the woman assumes a role that is both protector and protected. In "A Girl Adorned with White Tiger Fur and Her Feline Companion," Law's mastery of hyper-realistic and classical painting styles is evident. His meticulous attention to detail, showcased in the woman's lifelike appearance and the intricate rendering of the surrounding vegetation, harkens back to the precision and technique of classical painters. Concurrently, the piece's fantastical elements and bold use of color demonstrate the influence of contemporary hyper-realism, resulting in a riveting blend of artistic traditions. By transforming Parry's photograph and recontextualizing it within the realm of painting, Law encourages viewers to reconsider the boundaries between artistic mediums and the intricacies of image creation. As with Duchamp's readymades and Prince's rephotographs, "A Girl Adorned with White Tiger Fur and Her Feline Companion" invites reflection on the ever-changing nature of art and the artist's role in crafting meaning. The subtle irony woven into the narrative further challenges the audience to question the essence of originality and engage with a thought-provoking, multilayered story that defies conventional artistic expression. Ultimately, Michael Andrew Law's "A Girl Adorned with White Tiger Fur and Her Feline Companion" stands as a testament to the transformative power of artistic appropriation, the enduring impact of both classical and hyper-realistic painting techniques, and the power of subtle irony to provoke deeper engagement with the narrative. Drawing on the work of Jason Lee Parry and the rich history of readymade and found image art, Law challenges viewers to question the essence of originality and delve into a captivating, multilayered narrative that transcends traditional artistic expression. 在當代藝術世界中，幾乎沒有哪位藝術家像理查德·普林斯（Richard Prince）和他轟動一時的《精神美國》（Spiritual America）系列那樣引起廣泛爭議。普林斯在1983年重新拍攝了年輕時的布魯克·希爾德（Brooke Shields）的照片，引發了有關挪用、名人文化和大眾媒體中年輕人性別化的討論。但如今，一位新藝術家以全新的觀點詮釋普林斯的作品，不僅挪用了普林斯的藝術，還挑戰了獨創性的概念。羅卓睿老師的《精神美國》閃光丙烯畫是對普林斯挪用藝術的大膽、諷刺和嘲諷回應。 挪用藝術：羅卓睿老師作品中的諷刺與嘲諷 以其充滿活力的綜合媒材繪畫而著名的多才多藝的藝術家羅卓睿，將理查德·普林斯的挑釁性重新拍攝作品加入了自己的藝術層面。通過加入閃光粉和丙烯顏料，羅卓睿賦予了這幅圖像新的生命，並增加了原作中不存在的深度和質感。然而，羅卓睿作品的真正傑出之處在於他決定挪用普林斯的藝術的諷刺和嘲諷，就像普林斯挪用了加里·格羅斯（Garry Gross）的原始照片一樣。 在這幅閃光的重新詮釋中，羅卓睿巧妙地運用普林斯自己的挪用邏輯反駁他，創建了一個關於藝術界對原創性、所有權和創意表達界限的既定觀念的豐富多層次的評論。通過挪用和改造普林斯的作品，羅卓睿不僅展示了他對挪用藝術內在複雜性的理解，還挑戰了長期以來一直是普林斯職業生涯爭議焦點的獨創性概念。 挑戰獨創性：大膽的表述 羅卓睿決定挪用理查德·普林斯的第一幅《精神美國》不僅具有視覺衝擊力，而且是對當代藝術世界中諷刺和矛盾的有力評論。通過使用普林斯自己的方法反擊他，羅卓睿迫使我們面對挪用藝術領域中原創性的局限性和不一致性。 羅卓睿的閃光丙烯畫提醒我們，創作過程往往是一個不斷重新詮釋的循環，每位藝術家都在前人作品的基礎上發揮自己的創意。在《精神美國》的情況下，羅卓睿老師挪用了理查德·普林斯的作品，普林斯則挪用了加里·格羅斯的原始照片，形成了一個持續的藝術詮釋鏈條。 藝術顛覆的典範 羅卓睿老師的《精神美國》閃光丙烯畫是對普林斯挪用藝術的大膽和顛覆性回應。通過挪用一位因自己的挪用而臭名昭著的藝術家的作品，羅卓睿強調了藝術詮釋永無止境循環中的諷刺與嘲諷。通過這樣做，他邀請觀眾重新思考自己對藝術、獨創性和挪用在創作過程中所起的作用的理解。 隨著新一代藝術家繼續挑戰藝術界的界限，挪用、改編和獨創性的討論無疑將不斷發展。羅卓睿的《精神美國》閃光丙烯畫為這一持續對話增添了新的觀點，挑戰藝術世界重新思考對創造力和原創性的假設。 藝術挪用的邏輯：挪用藝術的根本思想是，創作不僅來自於個人的獨創性，還來自於對已有材料的重新詮釋。這意味著，藝術家可以通過挪用、改造或組合現有作品創造出具有新意的藝術。從這個角度來看，羅卓睿老師的行為是一種對挪用藝術的延續和探索。 挑戰獨創性的概念：通過將普林斯的作品再次挪用，羅卓睿老師提出了一個有趣的問題：什麼是獨創性？在藝術創作過程中，每位藝術家都在一定程度上受到其他藝術家和作品的影響。因此，羅卓睿老師的作品可以被視為對獨創性概念的一種挑戰。 諷刺與嘲諷：羅卓睿老師通過挪用普林斯的作品，運用了一種諷刺和嘲諷的手法。這種手法使得觀眾在欣賞作品時，不僅要思考原創性和挪用藝術的問題，還要對藝術界的既定觀念產生懷疑。這種諷刺和嘲諷的手法在當代藝術中十分常見，被認為是一種有效的表達和評論手法。
Acclaimed contemporary artist Michael Andrew Law has chosen to celebrate the 116th birthday of legendary Mexican painter Frida Kahlo by unveiling a mesmerizing, large-scale painting that pays homage to one of Kahlo's most iconic works, "Self-Portrait with Thorn Necklace and Hummingbird." As a shining addition to his ongoing series, "If Julian Schnabel Goes Pop," Law's latest masterpiece combines the use of glitter and acrylic paint to reinterpret Kahlo's self-portrait, imbuing it with a fresh, modern twist.
Frida Kahlo, born on July 6, 1907, is best known for her deeply personal and often surreal self-portraits, which frequently depict her physical and emotional pain. "Self-Portrait with Thorn Necklace and Hummingbird" (1940) is considered one of her most emblematic pieces, featuring a powerful portrayal of the artist adorned with a thorn necklace that digs into her neck, causing it to bleed. A dead hummingbird hangs from the necklace, symbolizing the suffering and resilience that Kahlo experienced throughout her life. Michael Andrew Law's reinterpretation of Kahlo's iconic self-portrait not only commemorates her birthday but also serves as a stunning addition to his "If Julian Schnabel Goes Pop" series. This innovative series, inspired by the acclaimed artist Julian Schnabel, explores the intersection of contemporary pop culture and traditional artistic techniques. In Law's glittering tribute to Kahlo, he maintains the original composition and poignant symbolism of her work while adding a modern, whimsical touch through the use of glitter. The shimmering particles catch the light and create an almost otherworldly effect, breathing new life into the classic masterpiece. The glitter highlights the intensity of Kahlo's pain and resilience, particularly in the thorn necklace and hummingbird elements. Law's bold decision to incorporate glitter into his interpretation emphasizes the duality of life—its beauty and its suffering. Furthermore, Law's use of acrylic paint lends a fresh, contemporary feel to the piece. The versatility of acrylics allows for a range of textures and effects, which complement the glitter and harmoniously fuse traditional and modern artistic elements. In celebration of Frida Kahlo's 116th birthday, Michael Andrew Law's glittering reinterpretation of her "Self-Portrait with Thorn Necklace and Hummingbird" not only honors her enduring impact on the art world but also showcases his innovative approach within the "If Julian Schnabel Goes Pop" series. By skillfully combining glitter and acrylic paint, Law has created a captivating homage to one of the most significant artists of the 20th century, ensuring that her legacy continues to inspire and captivate audiences in 2023 and beyond.  Hot Summer, cool Art – with new Pop and Street Art paintings by Michael Andrew Law, Szabotage (UK / HK) and Norman O’Flynn (South Africa) , a group exhibition at Art Supermarket Gallery which will last until 5 October 2022.
 Exquisite Taste and Rich: The artwork of collaboration and symbol
Art Supermarket : Michael Andrew Law Solo Exhibition Exhibition at Art Supermarket Gallery Thursday, 6th October until November. Opening Reception: Thursday, 6 Oct, 6 pm - 9 pm - Venue: Art Supermarket 1/F, Asiarich Court, 5 Staunton Street, Soho, Hong Kong. Contemporary is the generation of comments and reviews on the past, thus contemporary art is the best tool and platform. Michael Andrew Law (Born. Law Cheuk-Yui), one of the most original and passionate artists in Hong Kong, with his vibrant and recognisable paintings with the juxtaposition of their visual elements of popular culture are now exhibited in Art Supermarket. For Law, painting is a medium that works as a commentary on contemporary culture. Combining Pop Art, Surrealism and Abstract Expressionism, Law uses a humorous way to connect popular culture from low art to high art, commercial art to fine art, and past to present. The paintings contain various cultural icons and symbolic value in historical art history — Leonardo da Vinci’s Mona Lisa, Johannes Vermeer’s Girl with a Pearl Earring, Sandro Botticelli’s The Birth of Venus, David of Michelangelo, and Katsushika Hokusai’s The Great Wave off Kanagawa, as well as popular icons in contemporary art history such as Jeff Koons’s balloon dog, KAWS, Andy Warhol’s Campbell soup, Yayoi Kusama’s pumpkins and Banksy’s Girl with Balloon, along with Hollywood stars and celebrities such as Marilyn Monroe, Audrey Hepburn and Hedy Lamarr. Law also incorporates everyday objects like advertising images of global brands such as McDonald's and Coca-Cola, famous food, comics, cartoon characters such as Mr Monopoly, Scrooge McDuck, Snoopy and Mickey Mouse, as well as expenditure trends including luxury brands, and reinterpreted NFT by hand paint the famous NFT art, and Millennials' culture such as taking selfies. Law delicates to explore the symbols of Exquisite Taste and the Rich in our society through these visual elements, by creating a dialogue over the definition of Exquisite Taste in nowadays culture, also the visual elements representing Exquisite Taste and high class, and income and value through modern expression, etc. Whilst some might take the same symbols as meaningless, banal and superficial at the same instant. Besides paying homage to Lichtenstein's Ben-Day dots, Law uses seemingly unrelated images using cinematic techniques like montage and superimposition to create a harmonious, semi-abstract and yet playful scenery. They are painted utilizing classical painting trained techniques and glazing techniques, and next to those are bright graffiti words. Law’s colourful dynamic line strokes created energy and motion effects for viewers, as well as used paint splatter to enrich images texture, presenting a certain level of art paint techniques. Law studied classical painting theories and techniques with Italian American classical painter Dan Anderson. His paintings are expressions of contrasts, of opposites that attract whether in symbology or artistic language. The reinterpretation of familiar Western Pop Art iconography, which is rendered through the mastery of classical painting makes Law a powerful contemporary storyteller. This October, Law’s work will be installed at Jao Tsung-I Academy Museum. The exhibition is a series of paintings part of Law’s Art History Dialogues body of works.  Michael Andrew Law paintings showing at Jao Tsung-I Academy Museum
The end of September to early October, couple of Michael Andrew Law’s ”If Julian Schnabel goes Pop” series artwork will go on showing at Jao Tsung-I Academy Museum, sponsored by Gloria Leung from ExcelNet and HIYA. Exhibition Details : Date : September 30 to October 3, 2022 (Friday to Monday) Time : 10:30am - 6:00pm Venue : Exhibition Hall, Lower Level, Block F, Jao Tsung-I Academy Museum, 800 Castle Peak Road, Mei Foo, Kowloon Fee: Free admission for enquiries, please email or call to: [email protected] tel: 9062 1702 Hong kong international youth artists society (HIYA) will hold an "Unlock" exhibition at the Jao Tsung-I Academy, for visitors to experience different forms of art, releasing their spiritual shackles and experiencing the inspiration thatdifferent artworks can bring. This exhibition will include Le Déjeuner sur l'herbe by Michael Andrew Law from his best-selling large art series ‘What If Julian Schnabel goes Pop Series’, shows the artist's fondness for the master painter Julian Schnabel. To create a dialogue with art history through referencing a lot of art history elements, glitter is represented by pigment powder, and the text could represent a rather modern expression. Le Déjeuner sur l'herbe (The Luncheon on the Grass) is an oil on canvas painting by Édouard Manet created in 1862. Michael Andrew Law’s The Birth of Venus Contemporary Pop Paintings series is based on the visual of broken mirrors which resembles reflective images from shattered glass combined with colorful tangrams with the goal in the artist's mind to explore pop culture images from the pieces of a tangram. This painting referencing the famous Italian painting “The Birth of Venus (Nascita di Venere)” is a painting by the Italian artist Sandro Botticelli, probably made in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art). The painting is in the Uffizi Gallery in Florence, Italy.  展覽詳情 :
日期 : 2022 年 9 月 30 日至 10 月 3 日(星期五至一) 時間 : 上午 10 時 30 分至下午 6 時 地點 : 九龍美孚青山道 800 號饒宗頤文化館 F 座下層展覽廳 費用 : 免費入場 詳情查詢: 可致電或電郵至：[email protected] 或 9062 1702 羅卓睿老師 (Michael Andrew Law) 的 ”If Julian Schnabel goes Pop” 系列的作品在饒宗頤博物館獲收錄展覽, 是次活動鳴謝ExcelNet和Gloria的贊助, 也鳴謝HIYA策劃. 羅卓睿的當代流行繪畫系列作品《維納斯的誕生》以破碎的鏡子的視覺效果為基礎，類似於破碎玻璃的反射《維納斯的誕生》圖像，結合五顏六色的七巧板，藝術家羅卓睿的目標是從七巧板的碎片中探索流行文化圖像。 這幅畫參考了意大利著名畫作《維納斯的誕生》（意大利語：Nascita di Venere）是意大利藝術家桑德羅·波提切利的一幅畫，可能創作於 1480 年代中期。 它描繪了女神維納斯在她出生後到達岸邊，當時她已經從海中完全長大（稱為維納斯阿納多梅內，經常在藝術中描繪）。 這幅畫現藏於意大利佛羅倫薩的烏菲茲美術館。 草地上的午餐作品來自羅卓睿最暢銷的大型藝術系列 “如果祖利安·斯納貝爾畫科普系列會怎樣” 作一個假設命題，因為藝術家羅卓睿對大師畫家 Julian Schnabel 作品的情有獨鍾。 通過引用大量的藝術史元素來創造與藝術史和當代藝術作品的對話，閃光代表顏料粉末，而文字可以代表更有現代藝術特色的表達。Le Déjeuner sur l'herbe（草地上的午餐）——原名為Le Bain The Bath) – 是愛德華·馬奈 (Édouard Manet) 於 1862 年創作的布面油畫。 The end of September to early October, couple of Michael Andrew Law's ”If Julian Schnabel goes Pop” series artwork will go on showing at Jao Tsung-I Academy Museum, sponsored by Gloria Leung from ExcelNet and HIYA. Exhibition Details : Date : September 30 to October 3, 2022 (Friday to Monday) Time : 10:30am - 6:00pm Venue : Exhibition Hall, Lower Level, Block F, Jao Tsung-I Academy Museum, 800 Castle Peak Road, Mei Foo, Kowloon Fee: Free admission for enquiries, please email or call to: [email protected] tel: 9062 1702 Le Déjeuner sur l'herbe by Michael Andrew Law from his best-selling large art series ‘What If Julian Schnabel goes Pop Series’, shows the artist's fondness for the master painter Julian Schnabel. To create a dialogue with art history through referencing a lot of art history elements, glitter is represented by pigment powder, and the text could represent a rather modern expression. Le Déjeuner sur l'herbe (The Luncheon on the Grass) is an oil on canvas painting by Édouard Manet created in 1862. Michael Andrew Law’s The Birth of Venus Contemporary Pop Paintings series is based on the visual of broken mirrors which resembles reflective images from shattered glass combined with colorful tangrams with the goal in the artist's mind to explore pop culture images from the pieces of a tangram. This painting referencing the famous Italian painting “The Birth of Venus (Nascita di Venere)” is a painting by the Italian artist Sandro Botticelli, probably made in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art). The painting is in the Uffizi Gallery in Florence, Italy. Michael Andrew Law Ad Art Poster - Hipster girl with daisy dukes and British flag Open Edition Framed Print, click here to order.  Bring your print to life with hundreds of different frame and mat combinations.
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- 專為藝術家而設事業指導顧問服務 Business coaching services tailored for Emerging Artists & Mid-Career Artists
- 開辦和經營畫室顧問服務 | Art Studio Advisory Services | How to start an art studio art class business?
- 與我們洽談投資你的藝術公司或者企業 | Discuss investing in your art company or business with Michael Andrew Law
- Q版人像速畫速繪服務 | Live event artist services
- 似顏繪 | 人像畫收費 | Live Drawing and Portrait Art Commission
- 訂製Q版人像畫客製化 | Commission Caricature Art
- Wedding Live Event Painter | 婚禮宴會到場繪畫表演 - 活動即席繪畫表演
- Freelance Artists Consulting | 插畫師顧問服務
- 畫作租借 租畫服務 | Artwork and painting rental
-
Artists
- Submission Open Call For Artist 2021
-
Michael Andrew Law Cheuk Yui
>
- マイケル・アンドリュー・ローの「現代のロイ・リキテンシュタイン」
- Michael Andrew Law Meets Thomas Houseago: A Conversation Amidst 'Abundance'
- Ad Art Series by Michael Andrew Law Cheuk Yui Art Text
- Michael Andrew Law's "From Venus to Botticelli - Modern Day Roy Lichtenstein with Ben Day Dots": A Masterful Blend of Classicism and Pop Art
- マイケル・アンドリュー・ローによる新たな視覚芸術の融合：「真珠の
- "PTGF 모던 데이 로이 리히텐슈타인": 마이클 앤드류 로의 현대 문화에 대한 예술
- "PTGF モダンデイ ロイ・リキテンシュタイン": マイケル・アンドリュー・ロ
- Slow Punk Art >
- Drew Struzan
- Yu Ting Yan
- Rembrandt LAW Yui-Ning 羅睿寧
- Kit Law
- Lara Kavanagh
- Faye Bradley
- Carman Tong
- Kacey Ko
- Mary Chan
- Iva Law
- Eagle Lo
- Bobo Po
- Grace Cheng
- Lillian Wang
- Oksana
- Peggy Wong
- Simon Bisley
- Urs Fischer
- Contact
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Contact Us |
- Gallery
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Services
- 專為藝術家而設事業指導顧問服務 Business coaching services tailored for Emerging Artists & Mid-Career Artists
- 開辦和經營畫室顧問服務 | Art Studio Advisory Services | How to start an art studio art class business?
- 與我們洽談投資你的藝術公司或者企業 | Discuss investing in your art company or business with Michael Andrew Law
- Q版人像速畫速繪服務 | Live event artist services
- 似顏繪 | 人像畫收費 | Live Drawing and Portrait Art Commission
- 訂製Q版人像畫客製化 | Commission Caricature Art
- Wedding Live Event Painter | 婚禮宴會到場繪畫表演 - 活動即席繪畫表演
- Freelance Artists Consulting | 插畫師顧問服務
- 畫作租借 租畫服務 | Artwork and painting rental
-
Artists
- Submission Open Call For Artist 2021
-
Michael Andrew Law Cheuk Yui
>
- マイケル・アンドリュー・ローの「現代のロイ・リキテンシュタイン」
- Michael Andrew Law Meets Thomas Houseago: A Conversation Amidst 'Abundance'
- Ad Art Series by Michael Andrew Law Cheuk Yui Art Text
- Michael Andrew Law's "From Venus to Botticelli - Modern Day Roy Lichtenstein with Ben Day Dots": A Masterful Blend of Classicism and Pop Art
- マイケル・アンドリュー・ローによる新たな視覚芸術の融合：「真珠の
- "PTGF 모던 데이 로이 리히텐슈타인": 마이클 앤드류 로의 현대 문화에 대한 예술
- "PTGF モダンデイ ロイ・リキテンシュタイン": マイケル・アンドリュー・ロ
- Slow Punk Art >
- Drew Struzan
- Yu Ting Yan
- Rembrandt LAW Yui-Ning 羅睿寧
- Kit Law
- Lara Kavanagh
- Faye Bradley
- Carman Tong
- Kacey Ko
- Mary Chan
- Iva Law
- Eagle Lo
- Bobo Po
- Grace Cheng
- Lillian Wang
- Oksana
- Peggy Wong
- Simon Bisley
- Urs Fischer
- Contact